From bader+@andrew.cmu.edu Sun Jan 24 13:03:18 1988 Path: dasys1!bc-cis!phri!cmcl2!brl-adm!umd5!purdue!gatech!udel!rochester!PT.CS.CMU.EDU!andrew.cmu.edu!bader+ From: bader+@andrew.cmu.edu (Miles Bader) Newsgroups: rec.music.synth Subject: cz.patches Message-ID: <4VyXJZy00jaBcy00=5@andrew.cmu.edu> Date: 24 Jan 88 18:03:18 GMT Organization: Carnegie Mellon University Lines: 3473 Since a bunch of people asked for them, here they are... These have mostly seen this group before; but there's been a lot of redundancy taken out... [I hope files >65k don't still break things...] ---------------------------------------------------------------- Name: synth organ From: Paul Boutin line mod detune vibrato octave 1+2 + (1,2) 00 06 +1 DCO 1 wave 2 4 rate level 99 33 33 00 e DCW 1 key 0 rate level 80 99 47 96 37 52 s 26 00 50 00 e DCA 1 key 0 rate level 99 90 78 65 83 95 70 75 70 99 s 79 59 33 00 e DCO 2 wave 3 5 rate level 99 33 33 00 e DCW 2 key 0 rate level 80 99 47 96 37 52 s 26 00 50 00 e DCA 2 key 0 rate level 99 90 78 65 83 95 70 75 70 99 s 79 59 33 00 e Comments: Boring but useful. ---------------------------------------------------------------- Name: drum hit From: Paul Boutin line mod detune vibrato octave 2 + 1 10 25 0 DCO 1 wave 5 2 rate level 50 00e DCW 1 key 0 rate level 99 99 99 99e DCA 1 key 0 rate level 93 55 99 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: If you don't have a drum machine, put some of this under your drum noise. I boost 200hz for extra umph. ---------------------------------------------------------------- Name: drum wash From: Paul Boutin line mod detune vibrato octave 1+1' noise + (1,2,3) 03 08 1 00 38 15 -1 DCO 1 wave 5 0 rate level 99 62 76 00e DCW 1 key 0 rate level 99 83 99 00e DCA 1 key 6 rate level 99 99 38 51 53 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: I put the three different versions (different detune octave settings) on adjacent Internal memory keys , and by switching back and forth between beats (it takes practice) I got a "drum kit", and even gated off some of the hits by switching to the next sound before the note had died out. Primitive, but it got on the local college station a few times. This is one of those sounds that sounds really big on tape. ---------------------------------------------------------------- Name: Simmons SDS-7 From: Paul Boutin line mod detune vibrato octave 1+1 noise +1 03 00 -1 DCO 1 wave 1 5 rate level 99 70 42 00e DCW 1 key 0 rate level 99 99 99 00e DCA 1 key 9 rate level 99 99 43 00s 50 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: I tried to duplicate the sound on Duran Duran's "Rio". ---------------------------------------------------------------- Name: Phil-in-a-box From: Paul Boutin line mod detune vibrato octave 1+1' noise + 0 10 00 -1 DCO 1 wave 1 4 rate level 99 70 54 00s 50 00e DCW 1 key 0 rate level 99 99 99 00e DCA 1 key 9 rate level 99 99 43 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: I was trying to emulate the big crashes on "In the Air Tonight" and "I Don't Care Anymore". Having heard it on CD last week, there's no comparison. However, SOMEONE on the net (I lost the message) claims to have improved it. ??? ---------------------------------------------------------------- Name: Trevor Horns From: Paul Boutin line mod detune vibrato octave 1+1' - 0 02 24 3 06 02 99 +1 DCO 1 wave 3 0 rate level 99 33 33 00e DCW 1 key 2 rate level 67 99 47 96 37 52s 26 00e DCA 1 key 2 rate level 82 99 36 91s 79 59 55 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: Everybody likes this one, but you have to play it a certain way or it sounds stupid. Turn your reverb WAY up and playing three or four octaves in unison, tap short horn-punch chords. Ha ha ha, five people have mistaken it for a Fairlight on tape so far! ---------------------------------------------------------------- Name: organ brass From: Paul Boutin line mod detune vibrato octave 1+1' + 1 00 06 +1 DCO 1 wave 3 5 rate level 99 33 68 00e DCW 1 key 0 rate level 80 99 47 96 37 52s 26 00 50 00e DCA 1 key 0 rate level 99 90 78 65 83 95 70 75 70 99s 79 59 33 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: I forget what this sounds like. I'll have to try it again. Probably an organ set to "brass". ---------------------------------------------------------------- Name: Herbie Scratch From: Paul Boutin line mod detune vibrato octave 1+1' + 0 02 00 1 00 54 88 +1 DCO 1 wave 3 4 rate level 47 99 99 00e DCW 1 key 0 rate level 80 99 47 96 38 85s 26 00e DCA 1 key 2 rate level 99 90 85 65 85 95 78 75 78 99 01 98 99 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: In lieu of having a record to scratch... ---------------------------------------------------------------- Name: Fuzzy bass From: Paul Boutin line mod detune vibrato octave 1+1' ring + 1 00 00 1 33 55 23 +1 DCO 1 wave 2 3 rate level 00 00e DCW 1 key 7 rate level 97 99 43 79 50 74s 52 00e DCA 1 key 0 rate level 99 99 21 00s 61 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: Only so-so, but here it is. ---------------------------------------------------------------- Name: fat synth bass From: Paul Boutin line mod detune vibrato octave 1+1' ring + 0 07 04 1 33 55 23 0 DCO 1 wave 2 3 rate level 50 00e DCW 1 key 7 rate level 97 99 43 79 50 74s 52 00e DCA 1 key 0 rate level 99 99 21 89s 61 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: Modified version of Casio "Electric bass" that sustains. I play Wham tunes on it -- drives my roommates *nuts*! ---------------------------------------------------------------- Name: 1-Octave bass From: Paul Boutin line mod detune vibrato octave 1+2 + 1 00 05 1 54 11 04 -1 DCO 1 wave 1 2 rate level 66 58 72 00 43 05 65 00e DCW 1 key 9 rate level 82 88 42 63 00 00e DCA 1 key 9 rate level 99 99 28 00 56 00 DCO 2 wave 5 4 rate level 00 00e DCW 2 key 7 rate level 92 80 44 62 00 00e DCA 2 key 0 rate level 90 99 30 86s 86 00e Comments: I put this under other bass patches (via tone mix) to get more bottom end. ---------------------------------------------------------------- Name: 2-Octave bass (Tony Levin) From: Paul Boutin line mod detune vibrato octave 1+2 + 0 00 05 1 54 11 04 -1 DCO 1 wave 1 2 rate level 66 58 72 00 43 05 65 00e DCW 1 key 9 rate level 82 83 42 63 00 00e DCA 1 key 9 rate level 99 99 28 00 56 00e DCO 2 wave 3 4 rate level 00 00e DCW 2 key 7 rate level 92 80 44 62 00 00e DCA 2 key 0 rate level 90 99 30 86s 86 00e Comments: I used this to add bottom to bass parts played in higher registers until someone pointed out that it sounds just like Tony Levin's Chapman Stick. "I wanna be.... your Sledgehammer..." It does have a nice voice of its own. ---------------------------------------------------------------- Name: ArtoNoise Trumpet (#3) From: Paul Boutin line mod detune vibrato octave 1+2 ring 1 27 49 11 +1 DCO 1 wave 3 0 rate level 00 00e DCW 1 key 4 rate level 67 79 00 00e DCA 1 key 2 rate level 70 91 70 67 70 96 70 77 70 99s 56 00e DCO 2 wave 4 0 rate level 00 00e DCW 2 key 4 rate level 72 79 00 00e DCA 2 key 2 rate level 70 91 70 67 70 97 70 77 70 99s 48 00e Comments: Mix with Casio Preset turmpet. You can set Bend Range to 12 and go a whole octave higher still sounding great. ---------------------------------------------------------------- Name: Lazy Trumpet (#4) From: Paul Boutin line mod detune vibrato octave 1+1' + 0 00 07 0 DCO 1 wave 1 0 rate level 99 33 68 00e DCW 1 key 2 rate level 67 99 47 96 37 52s 26 00e DCA 1 key 2 rate level 70 90 70 65 70 95 70 75 70 99s 50 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: I mix this with the Casio Trumpet, set Bend Range to 2, and get some pretty cool leads with this (a long echo helps). ---------------------------------------------------------------- Name: snap percussion From: Paul Boutin line mod detune vibrato octave 1+2 noise + 1 00 00 0 DCO 1 wave 1 0 rate level 99 82 99 00e DCW 1 key 0 rate level 99 99 28 00e DCA 1 key 0 rate level 99 99 99 00e DCO 2 wave 1 0 rate level 00 00e DCW 2 key 0 rate level 00 00e DCA 2 key 0 rate level 99 99 58 00e Comments: Four notes within an octave with a slapback echo make realistic handclaps. ---------------------------------------------------------------- Name: Star Trek noise From: Paul Boutin line mod detune vibrato octave 1+1' 1 00 60 98 + 1 DCO 1 wave 3 4 rate level 63 99s 99 00e DCW 1 key 0 rate level 80 99 47 96 38 85s 26 00 50 00e DCA 1 key 2 rate level 99 90 85 65 85 95 78 75 78 99 01 98s 99 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: Just another stupid noise. Doesn't sound like anything on Star Trek per se, or does it? I guess it depends on how Trekkie you are... ---------------------------------------------------------------- Name: Woh-Wow-Yeh From: Barry Kirsch line mod detune vibrato octave 1+2' + 00 00 07 -1 DCO 1 wave 6 0 rate level 51 33 68 00e DCW 1 key 2 rate level 58 99 47 96 37 52s 26 00e DCA 1 key 2 rate level 62 71 36 91s 79 59 55 00e DCO 2 wave 7 0 rate level 53 33 68 00e DCW 2 key 2 rate level 33 99 47 96 37 52s 26 00e DCA 2 key 2 rate level 82 99 36 91s 79 59 55 00e Comments: "All at once, the clouds are parting, light streams down in bright unbroken beams..." Is this a Rush sound or WHAT, I ask? I love it anyway :) . ---------------------------------------------------------------- Name: Flutelight From: Eric Persing, _Keyboard_ magazine line mod detune vibrato octave 1+2 noise - 1 00 00 1 46 52 17 +1 DCO 1 wave 1 0 rate level 52 50 15 00e DCW 1 key 9 rate level 72 88 99 53s 50 00e DCA 1 key 0 rate level 99 17 70 91 59 99 12 83s 65 00e DCO 2 wave 5 0 rate level 83 67 50 00e DCW 2 key 8 rate level 60 57 00 00e DCA 2 key 2 rate level 76 67 61 00e Comments: Yes, THAT sound again.... play happy major thirds and see. ---------------------------------------------------------------- Name: background swell From: Paul Boutin line mod detune vibrato octave 1+2 - + 0 00 07 1 11 51 23 0 DCO1 wave 1 0 rt lv 0 0e DCO1 key 2 rt lv 99 97s 40 00e DCA1 key 2 rt lv 72 15 31 93s 31 0e DCO2 wave 2 0 rt lv 00 00e DCW2 key 2 rt lv 99 99s 40 00e DCA2 key 2 rt lv 72 15 31 93s 31 00e Comments: turn down DCW1 sustain level if using without tons of processing ---------------------------------------------------------------- Name: Ministry horns From: Paul Boutin line mod detune vibrato octave 1+2 - + 1 00 14 3 00 40 11 +1 DCO1 wave 4 1 rt lv 86 99 99 33 68 00e DCO1 key 2 rt lv 67 99 47 96 37 52s 26 00e DCA1 key 2 rt lv 82 99 36 91s 79 59 55 00e DCO2 wave 1 0 rt lv 97 99 89 00e DCW2 key 7 rt lv 97 87 43 79 50 74s 52 00e DCA2 key 0 rt lv 99 99 21 97 61 00e Comments: Again, use tons of chorus & reverb. Guaranteed to sound like Alain Jourgensen in short punches. Play parallel ocatves for bigger sound. ---------------------------------------------------------------- Name: popcorn From: Paul Boutin line mod detune vibrato octave 1+2 ring + 1 00 00 4 00 97 27 -1 DCO1 wave 5 2 rt lv 95 91 99 00e DCO1 key 0 rt lv 99 78 47 79s 50 00 47 00e DCA1 key 4 rt lv 97 99 56 49 99 00e DCO2 wave 8 3 rt lv 99 99 93 00e DCW2 key 0 rt lv 99 81s 64 00e DCA2 key 0 rt lv 99 99 56 00e Comments: Great for adding attack to sequencer bass lines. ---------------------------------------------------------------- Name: Kick #1 (extender for TR505) From: Paul Boutin line mod detune vibrato octave 1+1 noise - 3 00 06 4 00 53 90 -1 DCO1 wave 4 1 rt lv 98 67 99 00e DCO1 key 0 rt lv 99 99 99 00e DCA1 key 0 rt lv 99 99 45 00e DCO2 wave rt lv DCW2 key rt lv DCA2 key rt lv Comments: MIDI to TR505 bass drum, pick a low note (25-40). ---------------------------------------------------------------- Name: kick #2 (TR505 extender) From: Paul Boutin line mod detune vibrato octave 1+1 - - 1 00 00 4 04 63 89 -1 DCO1 wave 5 4 rt lv 90 76 90 00e DCO1 key 0 rt lv 99 15s 50 00e DCA1 key 0 rt lv 99 99 49 00e DCO2 wave rt lv DCW2 key rt lv DCA2 key rt lv Comments: MIDI to TR505 bass drum, has different sounds in different octaves ---------------------------------------------------------------- Name: snare #1 (TR505 extender) From: Paul Boutin line mod detune vibrato octave 1+1 noise + 2 04 08 3 00 56 88 -1 DCO1 wave 4 7 rt lv 99 62 76 00e DCO1 key 0 rt lv 00 00e DCA1 key 0 rt lv 99 99 38 51 53 00e DCO2 wave rt lv DCW2 key rt lv DCA2 key rt lv Comments: MIDI to snare drum. I use notes in the lower half of the keyboard. ---------------------------------------------------------------- Name: Snare #2 From: Paul Boutin line mod detune vibrato octave 1+2 noise + 1 10 0 - -1 DCO1 wave 1 4 rt lv 99 70 54 00s 50 00e DCO1 key 0 rt lv 99 99 99 00e DCA1 key 9 rt lv 99 99 51 00e DCO2 wave 1 4 rt lv 99 70 54 00s 50 00e DCW2 key 0 rt lv 99 99 99 00e DCA2 key 9 rt lv 99 99 43 00e Comments: For those of us without an SPX-90. ---------------------------------------------------------------- Name: Rayz From: Paul Boutin line mod detune vibrato octave 1+2 - + 1 07 10 1 07 61 23 +1 DCO1 wave 1 4 rt lv 00 00e DCO1 key 0 rt lv 88 99s 47 25 44 00e DCA1 key 0 rt lv 93 87s 39 00e DCO2 wave 6 0 rt lv 00 00e DCW2 key 0 rt lv 99 99s 47 25 44 00e DCA2 key 0 rt lv 92 99 85 97 92 99 99 98s 32 00e Comments: Sounds even cooler if you use the pitch wheel for glissandi. (Did I really use the word "glissandi"?) ---------------------------------------------------------------- Name: Whistlin From: Paul Boutin line mod detune vibrato octave DCO1 wave rt lv DCO1 key rt lv DCA1 key rt lv DCO2 wave rt lv DCW2 key rt lv DCA2 key rt lv Comments: Take the preset "Whistle" and change the detune to + 0 0 20 ---------------------------------------------------------------- Name: Bowp/Industrial [Bass] From: Paul Boutin line mod detune vibrato octave 1 +2 * + 3 05 00 - -1 DCO1 wave 6 * rt lv 0 0e DCO1 key 0 rt lv 72 53 52 00e DCA1 key 0 rt lv 99 99 44 00e DCO2 wave 4 0 rt lv 00 00e DCW2 key 2 rt lv 99 10 48 00e DCA2 key 0 rt lv 99 81 42 00e Comments: * This is one of my most-used sounds. There are four variations according to the following matrix: Bowp Industrial Regular ring mod noise mod DCO1 6 0 DCO1 6 0 Bass ring mod noise mod DCO1 6 2 DCO1 6 2 ---------------------------------------------------------------- Name: Pan Pipes / Danger Sound From: Paul Boutin line mod detune vibrato octave DCO1 wave rt lv DCO1 key rt lv DCA1 key rt lv DCO2 wave rt lv DCW2 key rt lv DCA2 key rt lv Comments: Take the "Internal #3" setting and change DCO1 to 2 0 for pan pipes 7 0 for Dangersound "Dangersound" on the low D note is something like Ministry opened their show with last time I saw them. Excuse me for making fun of those Casio Sound Data book names like "Dangerous Sound #2". ---------------------------------------------------------------- Name: Traffic Doppler (Barry Kirsch, modified by me) From: Paul Boutin line mod detune vibrato octave 1+1 noise + 00 03 00 1 00 00 97 -1 DCO1 wave 7 0 rt lv 99 15s 16 00e DCO1 key 0 rt lv 00 00e DCA1 key 0 rt lv 35 99 00 00 30 00e DCO2 wave rt lv DCW2 key rt lv DCA2 key rt lv Comments: Hold the key down and wait. I like clusters of low notes best ---------------------------------------------------------------- Name: Sampled Snap From: Paul Boutin line mod detune vibrato octave 1+2 noise + 1 07 00 1 00 67 09 0 DCO1 wave 5 0 rt lv 96 75 99 00e DCO1 key 0 rt lv 91 66 93 00e DCA1 key 0 rt lv 93 99 54 00e DCO2 wave 2 0 rt lv 97 74 93 00e DCW2 key 0 rt lv 93 41 64 00e DCA2 key 0 rt lv 94 99 49 00e Comments: Any resemblance to snare #1 is purely intentional. ---------------------------------------------------------------- Name: Kalimba #3,452,156 From: Paul Boutin line mod detune vibrato octave 1+2 ring + 2 10 00 1 60 50 03 0 DCO1 wave 5 0 rt lv 96 75 99 00e DCO1 key 9 rt lv 97 24 88 00e DCA1 key 2 rt lv 95 99 43 00e DCO2 wave 2 0 rt lv 97 74 93 00e DCW2 key 9 rt lv 95 82 64 00e DCA2 key 0 rt lv 96 99 49 00e Comments: Yup, more Afro-percussion. This one has radically different timbres in different octaves (the second octave on the 101 keyboard is my favorite). Noise percussion makes some interesting sounds too. ---------------------------------------------------------------- Name: Helicopter (Glenn Bruns, modified) From: Paul Boutin line mod detune vibrato octave 1+2 ring + 2 00 08 3 00 70 99 -1 DCO1 wave 6 5 rt lv 00 00e DCO1 key 8 rt lv 60 57s 00 00e DCA1 key 0 rt lv 99 93s 66 00e DCO2 wave 1 0 rt lv 00 00e DCW2 key 8 rt lv 60 57s 00 00e DCA2 key 1 rt lv 99 93 66 00e Comments: Noise modulation makse a meaner helicopter, and a machine gun in the upper range. ---------------------------------------------------------------- Name: Reverb Flute From: Electronics & Music Maker, Sep 1986 Line: 1+2' Mod: Noise on Detune: +,0,0,0 Vibrato: Wave=1,delay=26,rate=55,depth=9 Octave: +1 DCO1: 1st wave = 2, 2nd wave = 0 Rate=70,level = 66 (sus) 00 00 (end) DCW1: Key follow = 0 Rate=60, Level = 35 (sus) 00, 00 (end) DCA1: Key follow =1 rate=82 Level = 99 (sus) 58 89 71 54 44 30 63 66 44 30 61 51 50 00 (end) DCO2: 1st wave = 1, 2nd wave = 0 rate = 00, level = 0 (end) DCW2: Key follow = 9 rate = 99, level = 00 (sus) 00 00 (end) DCA2: Key follow = 1 rate = 92, level = 64 56 00 (end) ---------------------------------------------------------------- Name: Guitar with distortion From: Robert Lansdale Detune: +, oct=2,note=7, fine=8 Vibrato: wave=1,delay=0,rate=99,depth=24 Octave=-1 Line: 1+1' mod: ring DCO1: 1st wave = 8, 2nd wave = 4 rate =00, level = 00 (end) DCW1: Key follow = 0 Rate = 99, level = 21 (sus) 33 00 (end) DCA1: Key follow = 0 rate = 99, level = 99 (sus) 31 83 52 00 (end) ---------------------------------------------------------------- Name: Mean Electric Guitar From: Robert Lansdale Detune: +,1,2,4 Vibrato: 1,53,0,0 Octave:+1 Line:1+1' Mod:Ring DCO1: 1st wave = 3, 2nd wave = 4 Rate = 19, Level = 00 (End) DCW1: Key follow = 1 Rate = 86, Level = 64 07 00 (End) DCA1: Key follow = 4 Rate = 94, Level = 96 (sus) 92 00 (End) Comments: Try small amount of glide or portamento to make it more of a realistic guitar sound. ---------------------------------------------------------------- Name: YABS (Yet Another Bass Sound) From: Robert Lansdale Line: 1+1' Detune: +,0,0,1 Vibrato: Wave=1,delay=0,rate=50,depth=0 Octave: +0 DCO1: 1st wave = 2, 2nd wave = 3 Rate=99,level = 99 99 00 (end) DCW1: Key follow = 0 Rate=99, Level = 99 50, 00 (end) DCA1: Key follow =0 rate=99 Level = 99 (sus) 50 00 (end) ---------------------------------------------------------------- Name: NOISE SWEEP From: Robert Lansdale Noise: On Line: 1+1' Detune: +,0,0,1 Vibrato: Wave=1,delay=0,rate=50,depth=2 Octave: +0 DCO1: 1st wave = 2, 2nd wave = 3 Rate=99,level = 99 49 00 (end) DCW1: Key follow = 0 Rate=99, Level = 99 50, 00 (end) DCA1: Key follow =0 rate=99 Level = 99 02 98 53 00 (end) ---------------------------------------------------------------- Name: Bushy From: Glenn Bruns line mod detune vibrato octave 1+2 + 0 00 03 0 00 00 00 0 DCO 1 wave 5 0 rate level 99 65 38 66s 00 00e DCW 1 key 2 rate level 99 99s 40 00e DCA 1 key 2 rate level 72 92s 45 00e DCO 2 wave 1 0 rate level 99 66 00 00e DCW 2 key 2 rate level 99 99s 40 00e DCA 2 key 2 rate level 72 92s 45 00e Comments: Reminds me of Kate Bush. ---------------------------------------------------------------- Name: Spacious From: Glenn Bruns line mod detune vibrato octave 1+1' - 0 00 02 0 00 00 00 0 DCO 1 wave 2 6 rate level 00 00e DCW 1 key 4 rate level 99 60 30 75s 50 80 00 00e DCA 1 key 0 rate level 99 90 40 93s 45 30 60 00e Comments: ---------------------------------------------------------------- Name: Wild Kingdom From: Glenn Bruns line mod detune vibrato octave 1+2 ring + 1 00 01 1 15 28 06 0 DCO 1 wave 2 0 rate level 99 33 68 00e DCW 1 key 2 rate level 67 99 47 96 37 52s 26 00e DCA 1 key 2 rate level 90 99 36 91s 79 59 55 00e DCO 2 wave 5 0 rate level 99 33 68 00e DCW 2 key 2 rate level 63 99 66 96 37 52s 26 00e DCA 2 key 2 rate level 70 99 36 75s 79 55 55 00e Comments: I called this "Wild Kingdom" because it's sounds like a nature TV show patch. The patch is based on CZ-101 patch #1 (Brass ens. 1). The slow vibrato is critical for this patch. ---------------------------------------------------------------- Name: Rising resonance From: Glenn Bruns line mod detune vibrato octave 1+2' + 0 00 04 0 00 00 00 0 DCO 1 wave 3 0 rate level 00 00e DCW 1 key 6 rate level 99 90s 40 00e DCA 1 key 9 rate level 72 92s 50 00e DCO 2 wave 6 0 rate level 99 95 27 66s 00 66 00 00e DCW 2 key 9 rate level 99 40s 40 00e DCA 2 key 0 rate level 80 80 60 90s 55 00e Comments: Try different waveforms, esp. on DCO 2. ---------------------------------------------------------------- Name: Chunky Blocks From: Glenn Bruns line mod detune vibrato octave 1+1' ring - 3 03 08 1 00 38 15 -1 DCO 1 wave 2 1 rate level 99 62 76 00e DCW 1 key 0 rate level 99 83 51 00e DCA 1 key 6 rate level 99 99 52 00e Comments: Use tone mix if you're using this patch for bass line. Also, I'm not sure if the detune is supposed to be "-". ---------------------------------------------------------------- Name: Electric bubbles From: Glenn Bruns line mod detune vibrato octave 1+2' ring + 2 00 08 3 00 75 99 0 DCO 1 wave 6 5 rate level 00 00e DCW 1 key 8 rate level 60 57s 00 00e DCA 1 key 0 rate level 99 36 70 91 59 99 12 93s 66 00e DCO 2 wave 1 8 rate level 00 00e DCW 2 key 8 rate level 60 57 00 00e DCA 2 key 1 rate level 99 36 70 91 59 99 12 93s 66 00e Comments: Strictly for special effects. High notes sound like a ray gun (don't ask what kind of ray); low notes sound like a helicopter. Based on CZ-101 patch #7 (flute) -- which explains the gratuitous detail in the DCA's. ---------------------------------------------------------------- Name: Woody metal. From: Truls Ellefsen line mod detune vibrato octave 1+1' ring + 2 00 06 1 50 65 07 0 DCO 1 wave 1 0 rate level 00 00 end DCW 1 key 9 rate level 83 27 37 10 sus 88 00 end DCA 1 key 5 rate level 99 99 38 85 21 78 31 65 32 60 40 55 17 00 37 00 end Comments: Detune, octave=3 also useful. Expriment with vibrato. ---------------------------------------------------------------- Name: Scratchy Trumpet From: Alan Bland <..!ihnp4!druak!mab> line mod detune vibrato octave 1+2' + 0 00 00 1 19 50 14 0 DCO 1 wave 4 0 rate level 00 00e DCW 1 key 0 rate level 99 99s 27 00e DCA 1 key 4 rate level 70 99 20 89s 49 00e DC0 2 wave 3 5 rate level 00 00e DCW 2 key 0 rate level 51 77 39 00e DCA 2 key 4 rate level 99 79 32 00e Comments: ---------------------------------------------------------------- Name: harpsichord #2 (originally by Mark Schmeider) From: Bill Wake PARAMETER LINE SELECT MODULATION DETUNE VIBRATO OCTAVE |1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range| | 1+2' | | | | | + | 2 | 0 | 06 | | 1 | 0 |00|00 | | + | 1 | |___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____| ************************************ ************************************ (1) (2) DCO 1 DCO 2 WAVE FORM WAVE FORM |first|second| |first|second| | 3 | 6 | | 3 | 7 | |_____|______| |_____|______| (1-8) (0-8) (1-8) (0-8) ENV(PITCH) ENV(PITCH) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|99 |99 |99 | | | | | |0-99 rate|99 |99 | | | | | | | levl|99 |00 |00 | | | | | |0-99 levl|21 |00 | | | | | | | s/e | | s | e | | | | | | s/e | | e | | | | | | | _____________________________________ _____________________________________ DCW 1 DCW 2 KEY FOLLOW KEY FOLLOW | 5 |(0-9) | 3 |(0-9) |___________| |___________| ENV(WAVE) ENV(WAVE) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|99 |00 | | | | | | |0-99 rate|99 |00 | | | | | | | levl|50 |00 | | | | | | |0-99 levl|52 |00 | | | | | | | s/e | s | e | | | | | | | s/e | | e | | | | | | | _____________________________________ _____________________________________ DCA 1 DCA 2 KEY FOLLOW KEY FOLLOW | 9 |(0-9) | 3 |(0-9) |___________| |___________| ENV(AMP) ENV(AMP) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|99 |33 |57 |99 | | | | |0-99 rate|76 |94 |58 |44 |99 | | | | levl|90 |16 |00 |00 | | | | |0-99 levl|02 |99 |90 |00 |00 | | | | s/e | | | s | e | | | | | s/e | | | | s | e | | | | _____________________________________ _____________________________________ ---------------------------------------------------------------- Name: swept reed From: Michael Schaeffer COMMENT: modified casio reed ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8); DCO1 (wave-env): 3.4-99.29-72e DCW1 (key-env): 9-74.93-93.86s-50e DCA1 (key-env): 1-86.99-63.93-65.94-29e DCO2 (wave-env): 6.4-99.66-73e DCW2 (key-env): 2-43.60-24.49-26e DCA2 (key-env): 0-62.94-18.85-24.77-26e DETUNE (+- oct - semi - fine): (-)0-0-7 MODULATION (1'or 2' - ring or noise): either 1' or 2' VIBRATO (wave-delay-rate-depth): 4-81-41-99 KEYBOARD OCTAVE (+ o -): 0 ---------------------------------------------------------------- Name: minor vox chorus From: Michael Schaeffer COMMENT: fairly modal based on casio human voice ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8); DCO1 (wave-env): 1.4-55.65-40.66s-2e DCW1 (key-env): 0-99e DCA1 (key-env): 0-79.99-21.74s-31.75-60e DCO2 (wave-env): 5.0-50e DCW2 (key-env): 8-46.65-35.20s-54e DCA2 (key-env): 0-67.77-21.77-12.90s-35e DETUNE (+- oct - semi - fine): (-)0-7-10 MODULATION (1'or 2' - ring or noise): 2' VIBRATO (wave-delay-rate-depth): 1-72-46-19 KEYBOARD OCTAVE (+ o -): 0 ---------------------------------------------------------------- Name: Synth Bass II From: Michael Schaeffer COMMENT: modified casio ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8); DCO1 (wave-env): 2.3-0e DCW1 (key-env): 7-97.99-43.79-50.74s-52e DCA1 (key-env): 0-99.99-21e DETUNE (+- oct - semi - fine): (-)1-0-3 MODULATION (1'or 2' - ring or noise): 1' - ring VIBRATO (wave-delay-rate-depth): 1-33-55-23 KEYBOARD OCTAVE (+ o -): 0 ---------------------------------------------------------------- Name: swept mute ens. From: Michael Schaeffer ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8); DCO1 (wave-env): 2.1-67.55-42.60-54.6-50e DCW1 (key-env): 0-52.99-28.90-30.97-31.93-22.71s-50.52-50e DCA1 (key-env): 0-71.99s-38.82-30.75-49e DCO2 (wave-env): 2.4-53.15-49e DCW2 (key-env): 0-53.99-79.72-50.70s-50e DCA2 (key-env): 0-89.91-49.86-18.73(?s?)-20.70-22e DETUNE (+- oct - semi - fine): +1-0-2 MODULATION (1'or 2' - ring or noise): 2' ring VIBRATO (wave-delay-rate-depth): 1-42-31-20 KEYBOARD OCTAVE (+ o -): 0 ---------------------------------------------------------------- Name: Bright electric piano From: Michael Schaeffer COMMENT: I could really use some nice pianos ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8); DCO1 (wave-env): 5.2-99.66-99e DCW1 (key-env): 0-99.99s-0e DCA1 (key-env): 0-92.99-95.87-92.99-99.88s-43e DCO2 (wave-env):3.1-99.66-99e DCW2 (key-env): 0-99.99s-0e DCA2 (key-env): 0-92.99-95.87-92.99-99.88-44e DETUNE (+- oct - semi - fine):+0-0-10 MODULATION (1'or 2' - ring or noise): 2' VIBRATO (wave-delay-rate-depth): 1-45-52-11 KEYBOARD OCTAVE (+ o -): +1 ---------------------------------------------------------------- Name: Bird call #1 From: Wayne Wylupski Line Modulation Select Ring Noise +/- Octave Note Fine Wave Delay Rate Depth +/- Range ------ ---------- -------------------- --------------------- --------- 1 off off 0 0 0 0 1 00 80 68 + 1 -- DCO 1 -- -- DCW 1 -- -- DCA 1 -- Wave Form Key Follow Key Follow First Second ---------- ---------- ------------ 4 0 4 0 ENV (pitch) ENV (wave) ENV (amp) ------------- ---------- ------------------ Step 1 2 Step 1 Step 1 2 3 Rate 99 40 Rate 00 Rate 69 46 64 Level 65 0 Level 00 Level 88 99 00 End End End NOTES : Built from the "whistle" preset. Play around with portamento, and quickly a notes followed by their third or fourth. ---------------------------------------------------------------- Name: Bird call #2 From: Wayne Wylupski Line Modulation Select Ring Noise +/- Octave Note Fine Wave Delay Rate Depth +/- Range ------ ---------- -------------------- --------------------- --------- 1 off off 0 0 0 0 1 00 48 49 + 1 -- DCO 1 -- -- DCW 1 -- -- DCA 1 -- Wave Form Key Follow Key Follow First Second ---------- ---------- ------------ 4 0 4 0 ENV (pitch) ENV (wave) ENV (amp) ---------------- ---------- ------------------ Step 1 2 3 Step 1 Step 1 2 3 Rate 52 00 00 Rate 00 Rate 69 46 64 Level 66 00 00 Level 00 Level 88 99 00 End End End NOTES : Built from the "whistle" preset. Vibrato can be taken off. Short repeated key strokes work well. ---------------------------------------------------------------- Name: MASSIVE BASS From: Tom Benson PARAMETER LINE SELECT MODULATION DETUNE VIBRATO OCTAVE |1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range| | 12' | | off| off | | + | 0 | 0 | 4 | | 1 |33 |23| 06| | - | 1 | |___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____| ************************************ ************************************ (1) (2) DCO 1 DCO 2 WAVE FORM WAVE FORM |first|second| |first|second| | 4 | 4 | | 3 | 4 | |_____|______| |_____|______| (1-8) (0-8) (1-8) (0-8) ENV(PITCH) ENV(PITCH) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|50 | | | | | | | |0-99 rate|50 | | | | | | | | levl| 0 | | | | | | | |0-99 levl| 0 | | | | | | | | s/e | e | | | | | | | | s/e | e | | | | | | | | _____________________________________ _____________________________________ DCW 1 DCW 2 KEY FOLLOW KEY FOLLOW | 7 |(0-9) | 7 |(0-9) |___________| |___________| ENV(WAVE) ENV(WAVE) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|97 |43 |50 |50 | | | | |0-99 rate|97 |43 |50 |50 | | | | | levl|99 |79 |87 | 0 | | | | |0-99 levl|99 |79 |87 | 0 | | | | | s/e | | | s | e | | | | | s/e | | | s | e | | | | | _____________________________________ _____________________________________ DCA 1 DCA 2 KEY FOLLOW KEY FOLLOW | 9 |(0-9) | 9 |(0-9) |___________| |___________| ENV(AMP) ENV(AMP) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|99 |21 |61 | | | | | |0-99 rate|99 |21 |61 | | | | | | levl|99 |88 | 0 | | | | | |0-99 levl|99 |88 | 0 | | | | | | s/e | | s | e | | | | | | s/e | | s | e | | | | | | _____________________________________ _____________________________________ ***************************************************************************** COMMENT: Based on Elec Guitar preset C-5. Play in the second octave. ***************************************************************************** ---------------------------------------------------------------- Name: THWACK DRUMS From: Tom Benson PARAMETER LINE SELECT MODULATION DETUNE VIBRATO OCTAVE |1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range| | 12' | | off| on | | + | 0 | 10 | 0 | | 3 | 0 |55| 85| | - | 1 | |___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____| ************************************ ************************************ (1) (2) DCO 1 DCO 2 WAVE FORM WAVE FORM |first|second| |first|second| | 5 | 1 | | 6 | 4 | |_____|______| |_____|______| (1-8) (0-8) (1-8) (0-8) ENV(PITCH) ENV(PITCH) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|92 |99 | | | | | | |0-99 rate|99 |99 |13 | | | | | | levl|93 | 0 | | | | | | |0-99 levl|99 |53 | 0 | | | | | | s/e | | e | | | | | | | s/e | | s | e | | | | | | _____________________________________ _____________________________________ DCW 1 DCW 2 KEY FOLLOW KEY FOLLOW | 0 |(0-9) | 8 |(0-9) |___________| |___________| ENV(WAVE) ENV(WAVE) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|99 |99 |99 | | | | | |0-99 rate|99 |94 |50 | | | | | | levl|99 |86 | 0 | | | | | |0-99 levl|99 |99 | 0 | | | | | | s/e | | | e | | | | | | s/e | | s | e | | | | | | _____________________________________ _____________________________________ DCA 1 DCA 2 KEY FOLLOW KEY FOLLOW | 0 |(0-9) | 1 |(0-9) |___________| |___________| ENV(AMP) ENV(AMP) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|99 |41 |52 | | | | | |0-99 rate|99 |53 |52 | | | | | | levl|99 | 0 | 0 | | | | | |0-99 levl|81 |35 | 0 | | | | | | s/e | | s | e | | | | | | s/e | | | e | | | | | | _____________________________________ _____________________________________ ***************************************************************************** COMMENT: Based on "Tom toms 1" from Casio "Pro-tone data book." Play octaves 2+3. ***************************************************************************** ---------------------------------------------------------------- Name: BELL ORGAN From: Tom Benson PARAMETER LINE SELECT MODULATION DETUNE VIBRATO OCTAVE |1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range| | 12' | | off| off| | + | 3 | 07 | 08 | | 1 |49 |50| 10| | - | 1 | |___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____| ************************************ ************************************ (1) (2) DCO 1 DCO 2 WAVE FORM WAVE FORM |first|second| |first|second| | 2 | 5 | | 2 | 2 | |_____|______| |_____|______| (1-8) (0-8) (1-8) (0-8) ENV(PITCH) ENV(PITCH) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|50 | | | | | | | |0-99 rate|50 | | | | | | | | levl| 0 | | | | | | | |0-99 levl| 0 | | | | | | | | s/e | e | | | | | | | | s/e | e | | | | | | | | _____________________________________ _____________________________________ DCW 1 DCW 2 KEY FOLLOW KEY FOLLOW | 0 |(0-9) | 7 |(0-9) |___________| |___________| ENV(WAVE) ENV(WAVE) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|99 | | | | | | | |0-99 rate|99 |50 |52 |50 | | | | | levl| 0 | | | | | | | |0-99 levl|70 |68 |97 | 0 | | | | | s/e | e | | | | | | | | s/e | | | s | e | | | | | _____________________________________ _____________________________________ DCA 1 DCA 2 KEY FOLLOW KEY FOLLOW | 0 |(0-9) | 0 |(0-9) |___________| |___________| ENV(AMP) ENV(AMP) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|99 |55 |31 |31 | | | | |0-99 rate|99 |81 |31 |31 | | | | | levl|99 |89 |65 | 0 | | | | |0-99 levl|90 |86 |29 | 0 | | | | | s/e | | | s | e | | | | | s/e | | | s | e | | | | | _____________________________________ _____________________________________ ***************************************************************************** COMMENT: Based on "fairy tale" preset, B-8. ***************************************************************************** ---------------------------------------------------------------- Name: ???? From: Tom Benson Line Select Modulation Detune Vibrato Octave +/- Octave Note Fine Wave Delay Rate Depth +/- Range 1+1' + 1 8 1 38 60 4 0 DCO 1 Wave Form First Second 2 3 Step 1 2 Rate 99 68 Level 33 0 END DCW 1 Key Follow 9 Step 1 2 3 4 Rate 73 99 99 00 Level 88 96 99 00 SUS END DCA 1 Key Follow 0 Step 1 2 3 4 Rate 82 99 88 62 Level 81 99 96 00 SUS END * Use it at the extreme low end for a fat slightly distorted deep organy sound. I don't know how else to explain it. ---------------------------------------------------------------- Name: Marimba From: John Pritchard line mod detune vibrato octave 1+2 + 2 00 01 1 51 60 05 -1 DCO 1 wave 1 0 rate level 50 00e DCW 1 key 5 rate level 99 27 48 00e DCA 1 key 6 rate level 94 99 32 00s 45 00e DCO 2 wave 2 0 rate level 50 00e DCW 2 key 1 rate level 99 12 12 00e DCA 2 key 3 rate level 95 99 54 36 28 00s 60 00e ---------------------------------------------------------------- Name: Space Shots From: Chris Malley <..!ucbvax!ihnp4!daimler!cvm> line mod detune vibrato octave 1+1' off/off - 0 00 06 3 0 35 93 (whatever you like best) DCO 1 wave 8 0 rate level 99 33 33 0 END DCW 1 key 0 rate level 99 99 46 99 37 52 SUS 26 0 END DCA 1 key 0 rate level 99 50 77 99 67 91 SUS 79 92 26 0 END Comments: This sounds kind of like the laser fire in a cheap video game. To change the number of shots fired each time you push a key, change the rate of DCA 1, STEP 5. To vary the speed at which shots are fired, vary the vibrato rate (most effective if you do this while playing.) ---------------------------------------------------------------- Name: Glissando Filter Sweep From: Chris Malley <..!ucbvax!ihnp4!daimler!cvm> line mod detune vibrato octave 1+1' off/off - 0 00 06 1 0 0 6 - 1 DCO 1 wave 8 0 rate level 99 33 70 0 END DCW 1 key 0 rate level 99 99 46 99 37 52 SUS 26 0 END DCA 1 key 0 rate level 99 50 77 99 67 91 SUS 79 59 33 0 END Comments: This sound creates a "high-to-low" filter sweep in discrete increments (hence, glissando) each time a key is pressed. The sweep is most noticable in the lower range of the keyboard. For really gothic song intros, try setting DETUNE OCTAVE to -1 and playing single notes going slowly >from high to low on the keyboard. (Notice that the parameter values of this sound are very similar to those of Space Shots. By tweaking the vibrato, DCO1, DCA1 it becomes a semi-musical sound.) ---------------------------------------------------------------- Name: Diva Harmonic From: Tom O'Brien <..!cbosgd!bpa!swatsun!obrien> An ethereal third harmonic fades in as the fundamental fades out. Play slowly & hold down the keys for several seconds for full effect. Reminiscent of some of the music in the film _Diva_. Line 1+2' Octave 0 Detune + OCT 1, NOTE 7 FINE 0 Vibrato: Wave 1 Delay 0 Rate 0 Depth 0 Modulation: None DCO 1 Wave 1 Env 0/0/END DCW 1 Key 0 Env 53/5 37/0/END DCA 1 Key 0 Env 38/99 30/0/END DCO 2 Wave 1 Env 0/0/END DCW 2 Key 0 Env 32/5 25/0/END DCA 2 Key 0 Env 32/99 30/0/END ---------------------------------------------------------------- Name: Landing 747 From: Tom O'Brien <..!cbosgd!bpa!swatsun!obrien> The best sound comes from keys at the low end of the keyboard, I think. Hold down the key to let the effect complete its cycle. Holding several adjacent keys works well, too. Line 1+2' Octave -1 Detune - OCT 1, NOTE 0 FINE 0 Vibrato: Wave 1 Delay 31 Rate 36 Depth 0 Modulation: Noise DCO 1 Wave 5 Env 99/95 9/43/SUS 8/0/END DCW 1 Key 0 Env 99/73/SUS 9/62 9/0/END DCA 1 Key 6 Env 56/88/SUS 10/28 37/0/END DCO 2 Wave 5 Env 99/80 24/43/SUS 8/0/END DCW 2 Key 0 Env 99/81/SUS 9/62 9/0/END DCA 2 Key 2 Env 53/81/SUS 10/37 30/0/END ---------------------------------------------------------------- Name: Thompson Bass From: Tom O'Brien <..!cbosgd!bpa!swatsun!obrien> Similar to the plucked bass sound used on several Thompson Twins records. After an initial transient, the note fades to a muted drone. Line 1+2' Octave -1 Detune - OCT 0, NOTE 0 FINE 0 Vibrato: Wave 1 Delay 0 Rate 0 Depth 0 Modulation: None DCO 1 Wave 3 Env 0/0/END DCW 1 Key 9 Env 99/94 55/23/SUS 37/0/END DCA 1 Key 0 Env 99/99 63/70/SUS 50/0/END DCO 2 Wave 3 Env 0/0/END DCW 2 Key 9 Env 99/94 55/23/SUS 37/0/END DCA 2 Key 0 Env 99/99 63/70/SUS 50/0/END ---------------------------------------------------------------- Name: Brass Strings From: Brian Yamauchi Line Select: 1+2' Modulation: Ring = OFF Noise = OFF Detune: Octave = 0 Note = 0 Fine = +6 Vibrato: Wave = 1 Delay = 28 Rate = 52 Depth = 11 Octave: DCO1 DCO2 ---- ---- First = 1 Second = 5 First = 1 Second = 3 Rate: 99 99 Rate: 99 68 Level: 66 00 Level: 33 00 Sus/End: E Sus/End: E DCW1 DCW2 ---- ---- Key Follow: 0 Key Follow: 0 Rate: 99 00 Rate: 80 47 37 26 Level: 90 00 Level: 99 96 52 00 Sus/End: S E Sus/End: S E DCA1 DCA2 ---- ---- Key Follow: 0 Key Follow: 0 Rate: 92 95 92 99 45 Rate: 99 77 67 79 33 Level: 99 87 99 88 00 Level: 50 99 91 59 00 Sus/End: S E Sus/End: S E Comment: This patch started as a combination of the Synth Strings preset and Synth Brass 1. It works well for lead lines on the upper half of the keyboard. ---------------------------------------------------------------- Name: Ice Blue From: Brian Yamauchi Line Select: 1+1' Modulation: Ring = OFF Noise = OFF Detune: Octave = 0 Note = 0 Fine = -7 Vibrato: Wave = 1 Delay = 0 Rate = 0 Depth = 0 Octave: DCO1 DCO2 ---- ---- First = 2 Second = 0 First = Second = Rate: 00 Rate: Level: 00 Level: Sus/End: E Sus/End: DCW1 DCW2 ---- ---- Key Follow: 5 Key Follow: Rate: 99 50 Rate: Level: 85 00 Level: Sus/End: S E Sus/End: DCA1 DCA2 ---- ---- Key Follow: 0 Key Follow: Rate: 99 50 50 40 Rate: Level: 80 99 50 00 Level: Sus/End: S E Sus/End: Comment: Sounds almost like a synth clarinet. ---------------------------------------------------------------- Name: Pseudosilk From: Brian Yamauchi Line Select: 1+1' Modulation: Ring = OFF Noise = OFF Detune: Octave = 0 Note = 0 Fine = +7 Vibrato: Wave = 1 Delay = 0 Rate = 0 Depth = 0 Octave: DCO1 DCO2 ---- ---- First = 1 Second = 0 First = Second = Rate: 00 Rate: Level: 00 Level: Sus/End: E Sus/End: DCW1 DCW2 ---- ---- Key Follow: 7 Key Follow: Rate: 93 60 42 Rate: Level: 99 90 00 Level: Sus/End: S E Sus/End: DCA1 DCA2 ---- ---- Key Follow: 0 Key Follow: Rate: 75 55 40 Rate: Level: 68 99 00 Level: Sus/End: S E Sus/End: Comment: This patch was designed to sound like the lead synth in Pseudosilk Kimono by Marillion. ---------------------------------------------------------------- Name: Oracle From: Brian Yamauchi Line Select: 1+1' Modulation: Ring = OFF Noise = OFF Detune: Octave = 0 Note = 0 Fine = +7 Vibrato: Wave = 2 Delay = 0 Rate = 60 Depth = 30 Octave: DCO1 DCO2 ---- ---- First = 2 Second = 7 First = Second = Rate: 00 Rate: Level: 00 Level: Sus/End: E Sus/End: DCW1 DCW2 ---- ---- Key Follow: 0 Key Follow: Rate: 99 40 Rate: Level: 99 00 Level: Sus/End: S E Sus/End: DCA1 DCA2 ---- ---- Key Follow: 0 Key Follow: Rate: 99 30 Rate: Level: 99 00 Level: Sus/End: E Sus/End: Comment: An exotic-sounding tone. ---------------------------------------------------------------- Name: Choral oooh From: David Coleman Line Select: 1 + 2' Modulation: none Detune (-) oct: 0 Note: 00 fine: 07 Vibrato wave: 1 delay: 40 rate: 26 depth: 03 Octave -1 DCO1 wave 1st: 1 2nd: 0 step 1 2 3 rate 86 00 74 level 66 10 00 sus/end sus end DCW1 key follow: 6 step 1 2 3 rate 70 00 50 level 24 79 00 sus/end sus end DCA1 key follow: 0 step 1 2 3 4 rate 85 36 40 50 level 99 40 00 00 sus/end sus end DCO2 wave 1st: 2 2nd: 0 step 1 2 3 rate 59 81 00 level 66 62 00 sus/end sus end DCW2 key follow: 5 step 1 2 3 rate 70 69 50 level 28 79 00 sus/end sus end DCA2 key follow: 9 step 1 2 3 rate 85 83 50 level 99 37 00 sus/end sus end Comments: "Choral oooh" was a semi-successful experiment to see if something close to vocals could be obtained. As you CZ owners know, the "human voice" preset sounds ok, but not at all like a human voice. "Choral oooh" sounds something like a person singing "oooh" (long u sound). It is not perfect, but I think you will find it outclasses the human voice preset by far. This voice sounds best when you play major chords on the middle-high octave range. Try playing with the line select, too. ---------------------------------------------------------------- Name: Reverb Strings From: David Coleman Line Select: 1 + 1' Modulation: none Detune (+) oct: 0 Note: 00 fine: 10 Vibrato wave: 1 delay: 28 rate: 52 depth: 11 Octave +1 DCO1 wave 1st: 1 2nd: 3 step 1 2 rate 99 99 level 66 00 sus/end end DCW1 key follow: 0 step 1 2 rate 99 00 level 99 00 sus/end sus end DCA1 key follow: 4 step 1 2 3 4 5 6 7 rate 64 95 75 75 79 63 26 level 99 99 76 76 33 87 00 sus/end sus end DCO2 wave 1st: 1 2nd: 3 step 1 2 rate 99 99 (Same as DCO1) level 66 00 sus/end end DCW2 key follow: 0 step 1 2 rate 99 00 (Same as DCW1) level 99 00 sus/end sus end DCA2 key follow: 0 step 1 2 3 4 5 rate 92 95 92 99 32 level 99 87 99 88 00 sus/end sus end Comments: "Reverb Strings" is a modification of the preset "Synth Strings". The "reverb" comes from playing the note not only when a key is pressed, but also when the key is released. Try holding a chord and then letting off the keys one at a time, and you will hear the effect. With a little practice on the timing of pressing and releasing the keys, you can get some interesting effects such as eight eighth notes when only when four eighth notes separated by eighth rests are played. ---------------------------------------------------------------- Name: Buzzing Fly From: Glenn Bruns line mod detune vibrato octave 1+1' ring + 3 06 11 1 00 11 44 -1 DCO 1 wave 2 7 rate level 50 00s 50 00e DCW 1 key 0 rate level 99 80 35 57 41 96 40 47 41 79 39 62 40 95 30 00e DCA 1 key 0 rate level 99 80 33 67 33 86 34 64 32 78 33 65 35 79s 28 00e Comments: An annoying patch to enter manually, but amusing. ---------------------------------------------------------------- Name: Drill From: Glenn Bruns line mod detune vibrato octave 1+1' noise + 2 00 40 1 36 66 62 0 DCO 1 wave 1 2 rate level 55 82s 54 39 00 00e DCW 1 key 4 rate level 82 92s 26 45 00 00e DCA 1 key 0 rate level 63 99s 47 68 70 00e Comments: ---------------------------------------------------------------- Name: Dropped Bomb From: Glenn Bruns line mod detune vibrato octave 1+2' noise - 0 05 07 1 24 54 00 -1 DCO 1 wave 5 0 rate level 99 86 38 00e DCW 1 key 4 rate level 99 40 50 80s 99 00e DCA 1 key 0 rate level 99 20 36 40s 99 00e DCO 2 wave 3 3 rate level 99 65 40 66s 00 00e DCW 2 key 4 rate level 99 99 40 75 40 77 40 51 44 00e DCA 2 key 0 rate level 99 20 36 40s 99 00e Comments: Press key to drop bomb, release to explode. Best range seems to be in the octave above middle C. I have yet to get a decent explosion sound out of the CZ -- this explosion is weak. ---------------------------------------------------------------- Name: OIL-DRUM / JARS / TOY PIANO From: J. Peter Alfke Comments: Sound depends on what octave you play at. Very nice ringy metallic sounds; the piano in particular is *perfect*. Then plug in distortion [I'm using an Arion Metal Master] and get twisted wicked sounds with intense feedback sustain. Twiddle the pitch-bend knob and be your own Jimi Hendrix or Thurston Moore! [Based on Casio Synth. Harp] Line: 1+1' Mod: Ring Detune: +0 5 18 Vibrato: none Octave: +1 DCO 1: Wave 2 0 99 99 67 00 END DCW 1: Key 0 99 55 99 00 END DCA 1: Key 7 99 31 16 99 98 00 END ---------------------------------------------------------------- Name: HAMBURGER LADY From: J. Peter Alfke Comments: Very Throbbing Gristle. Sounds like the background grind to "Hamburger Lady"; play one or two low notes. Not perfect, but pretty good. You can also turn off the vibrato and hit crashing atonal chords in the low octave; another very T.G sound. [Based on Casio Bass Guitar] Line: 1+1' Mod: Ring Detune: +1 11 34 Vibrato: 1 30 2 66 Octave: -1 DCO 1: Wave 3 4 50 00 END DCW 1: Key 9 99 45 40 41 80 45 30 00 SUS END DCA 1: Key 1 99 25 35 42 90 80 75 00 SUS END ---------------------------------------------------------------- Name: newhorn From: Paul Boutin line mod detune vibrato octave 1+2 ring + 0 00 12 1 27 49 11 (0,+1) DCO 1 wave 3 2 rate level 00 00e DCW 1 key 4 rate level 67 79 15 00e DCA 1 key 2 rate level 70 91 70 67 70 96 70 77 70 99s 44 00r DCO 2 wave 3 2 rate level 00 00e DCW 1 key 4 rate level 72 79 15 00e DCA 1 key 2 rate level 70 91 70 67 70 96 70 77 70 99s 35 00r Comments: Tone mix one voice in octave 0 with one in octave +1 ---------------------------------------------------------------- Name: Drilling From: Glenn Bruns line mod detune vibrato octave 1+1' noise - 2 00 40 1 36 66 62 0 DCO 1 wave 1 2 rate level 55 82s 54 39 00 00e DCW 1 key 4 rate level 82 92s 26 45 00 00e DCA 1 key 0 rate level 63 99s 47 68 70 00e Comments: High notes sound like dentist's drill; low notes sound more like 3/8" drill into wood. ---------------------------------------------------------------- Name: Nightporter From: Steve Conti line mod detune vibrato octave 1+2 + 0 00 12 0 DCO 1 wave 1 0 rate level 00 00e DCW 1 key 9 rate level 60 60 12 00e DCA 1 key 0 rate level 95 30 99 00e DCO 2 wave 2 0 rate level 50 00e DCW 2 key 9 rate level 77 50 12 00e DCA 2 key 5 rate level 95 30 99 00e Comments: "'Nightporter' was programmed (surprise, surprise) in an attempt to recreate the mood of the Satie-influenced Japan song of the same name. If the sound comes across too sweet for your taste, reduce the Fine Detune to around 09 for a more piano-like sound. Some slow modulation delayed to the tail-end of the sound adds a different dimension, too." -_MT_ ---------------------------------------------------------------- Name: ???? From: Chris Cuthbert LINE RING NOISE +/- OCTV NOTE FINE WAVE DELAY RATE DPTH OCTV 1+2 OFF OFF + 0 00 07 1 00 00 00 -1 LINE 1 LINE 2 WAVEFORMS WAVEFORMS 3 0 4 0 PITCH ENVELOPE PITCH ENVELOPE RATE 50 50 RATE 50 LEVL 00 00 LEVL 00 S E E DCW KEYFOLLOW DCW KEYFOLLOW 0 0 WAVE ENVELOPE WAVE ENVELOPE RATE 72 20 RATE 87 56 33 89 72 57 LEVL 41 00 LEVL 98 76 58 61 30 00 S E E DCA KEYFOLLOW DCA KEYFOLLOW 0 0 AMPLITUDE ENVELOPE AMPLITUDE ENVLOPE RATE 99 50 RATE 99 50 LEVL 99 00 LEVL 99 00 S E E ---------------------------------------------------------------- Name: Real fat Oberheim-like moan From: Paul Boutin line 1+1' octave 0 or -1 vibrato w1 d28 r49 d21 det + 1 00 10 DCO 1 DCW 1 DCA 1 wave key fol key fol 4 3 0 0 rt lv rt lv rt lv 99 66 91 67s 77 60 99 00e 00 00e 48 68 39 99 68 99s 32 00e ---------------------------------------------------------------- Name: Snare double for drum machine From: Paul Boutin line 1+2' octave 0(?) vibrato off noise detune + 3 11 60 DCO 1 DCW 1 DCA 1 wave key fol key fol 2 2 0 0 rt lv rt lv rt lv 99 99 95 29 88 99 77 00e 41 00 36 91 79 60 54 00 55 00 \ 51 00 > Hey, do these do anything? 47 00 / 50 00e DCO 2 DCW 2 DCA 2 wave key fol key fol 2 2 0 2 rt lv rt lv rt lv 99 99 96 34 89 99 77 00 41 00e 36 91 79 59 55 00 50 00 50 00 50 00 49 00e Note: I didn't write down the octave setting, but when set up correctly there will be this surprise "clank" somewhere in the second octave of the keyboard, and a more electronic-drum-like bash on the low C. Reuben had this timed to go with the snare on his TR-707, and the resulting clank sounded like a Depeche Mode sample. In fact, I *thought* he was doing this on his Prophet 2000, it sounded so good. ---------------------------------------------------------------- Name: ROUGH EDGE From: Martin Sant Line Ring Noise +/- Octv Note Fine Wave Delay Rate Depth Octv 1+1 OFF OFF + 0 00 08 1 45 49 02 0 Line 1 Line 2 ------ ------ DCO Waveforms DCO Waveforms 4 3 1 0 Pitch Envelope Pitch Envelope Rate 67 87 00 00 00 00 00 00 Rate 00 00 00 00 00 00 00 00 Level 33 00 00 00 00 00 00 00 Level 00 00 00 00 00 00 00 00 E E DCW Keyfollow DCW Keyfollow 1 2 Wave Envelope Wave Envelope Rate 99 34 40 04 00 00 00 00 Rate 99 50 50 50 50 50 50 50 Level 99 24 17 13 00 00 00 00 Level 99 00 00 00 00 00 00 00 E E DCA Keyfollow DCA Keyfollow 3 2 Amplitude Envelope Amplitude Envelope Rate 97 52 14 39 00 00 00 00 Rate 72 38 00 00 00 00 00 00 Level 99 98 65 00 00 00 00 00 Level 92 00 00 00 00 00 00 00 S E E ---------------------------------------------------------------- Name: BOWR BASS From: Martin Sant Line Ring Noise +/- Octv Note Fine Wave Delay Rate Depth Octv 1+1 OFF OFF + 0 00 07 1 11 51 18 0 Line 1 Line 2 ------ ------ DCO Waveforms DCO Waveforms 4 3 1 0 Pitch Envelope Pitch Envelope Rate 00 00 00 00 00 00 00 00 Rate 00 00 00 00 00 00 00 00 Level 00 00 00 00 00 00 00 00 Level 00 00 00 00 00 00 00 00 E E DCW Keyfollow DCW Keyfollow 7 2 Rate 74 47 00 00 00 00 00 00 Rate 99 40 00 00 00 00 00 00 Level 78 00 00 00 00 00 00 00 Level 99 00 00 00 00 00 00 00 E E DCA Keyfollow DCA Keyfollow 2 2 Rate 72 38 00 00 00 00 00 00 Rate 72 38 00 00 00 00 00 00 Level 92 00 00 00 00 00 00 00 Level 92 00 00 00 00 00 00 00 S E E