Read:(1-30,^30),? :Q T - 00:16:43 [10] [CASIO FZ Information Center] :* Subs available: 1 - General Messages 2 - IBM Messages 3 - Mac Messages 4 - Atari Messages 5 - Amiga Messages 6 - Apple II Messages 7 - C64 Messages 8 - Product Reports 9 - For Sale or Trade 10 - CASIO FZ Information Center 11 - the MIDI-Music Productions 12 - the MIDI-Information Library 13 - the MIDI-Encyclopedia 14 - the MIDI-PhoneBook 15 - the MIDI-Net T - 00:16:37 [10] [CASIO FZ Information Center] :T T - 00:16:32 (1)-(Generic MIDI-Documentation) :* Dirs available: 1 - Generic MIDI-Documentation 2 - IBM Programs & Files 3 - Mac Programs & Files 4 - Atari Programs & Files 5 - Amiga Programs & Files 6 - Apple II Programs & Files 7 - C-64 Programs & Files 8 - C1/CX-5m/Other Programs & Files 9 - IBM BBS Utility Programs 10 - Mac BBS Utility Programs 11 - Atari BBS Utility Programs 12 - Amiga BBS Utility Programs 13 - Apple II BBS Utility Programs 14 - C-64 BBS Utility Programs 15 - SysEx / MIDIEX Utility Programs 16 - Akai Patch Library 17 - Alesis Patch Library 18 - Art Audio Patch Library 19 - Casio Patch Library 20 - DigiTech Patch Library 21 - E-mu Patch Library 22 - Ensoniq Patch Library 23 - Greymatter Patch Library 24 - Iota Patch Library 25 - JL Cooper Patch Library 26 - Kawai Patch Library 27 - Korg Patch Library 28 - Lexicon Patch Library 29 - Oberheim Patch Library 30 - Orban Patch Library 31 - Roland Patch Library 32 - Sequential Circuits Patch Library 33 - Voyetra Patch Library 34 - Yamaha Patch Library 35 - Yamaha DX/TX -7 Patch Library 36 - Yamaha FB-01 Patch Library 37 - Yamaha TX-81z Patch Library 38 - 360 Systems Patch Library 39 - Sample -1 SD & FZCom Samples 40 - SMF's #1 Standard MIDI-File's 41 - the MIDI-Hacker's SMF's 3 T - 00:16:22 (1)-(Generic MIDI-Documentation) :39 T - 00:15:21 (39)-(Sample -1 SD & FZCom Samples) :L File mask: Sample -1 SD & FZCom Samples - #39, 32 files. ============================================== 0010105 .SMP: 107k :SMP = SampleVision FZ-1 Bank 1 Voice 5 0010104 .SMP: 176k :SMP = SampleVision FZ-1 Bank 1 Voice 4 0010103 .SMP: 219k :SMP = SampleVision FZ-1 Bank 1 Voice 3 0010102 .SMP: 190k :SMP = SampleVision FZ-1 Bank 1 Voice 2 0010101 .SMP: 177k :SMP = SampleVision FZ-1 Bank 1 Voice 1 STEELDRM.FZB: N/A :MIDI-EX-083 's SteelDrum Bank --- HITMETAL. : 29k :Metal pipe Vs. railroad track COOLSAMP.IFF: N/A :IFF - James Brown --- FLUTE2 .SD : 37k :SD - Flute #2 --- SUSCHAIN.SD : 64k :SD - Sample of a Chain Saw --- GLOSSARY.NUL: N/A :FZC is for FZCom Files and SD is for SoundDesigner Files FLUTE .SD : 54k :SD - 15 MultiSamples to make a Flute w/Vibrato ANLOGBAS.SD : 30k :SD - Analog Bass BASSDRUM.SD : 5k :SD - Seq Tom Bass Drum BELLS .SD : 28k :SD - Bell Tree CLDHIHAT.SD : 6k :SD - Seq Tom Cold Hi Hat COWBELL .SD : N/A :SD - Seq Tom Cow Bell CYMMBELL.SD : N/A :SD - Seq Tom Cymbal Bell EMULATOR.SD : 157k :SD - Emulator-3 HANDCLAP.SD : 5k :SD - Seq Tom HandClaps HISAX .SD : N/A :SD - High Sax of 3-parts Low/Mid/Hi Sax's HITOM .SD : N/A :SD - Seq Tom Hi Tom LOWTOM .SD : N/A :SD - Seq Tom Low Tom M1AGBSC3.SD : 28k :SD - Analog Bass from Korg M1 M1BOT .SD : 20k :SD - Bottle's from Korg M1 M1CHORG .SD : 17k :SD - Chruch Organ from Korg M1 M1SAXG4 .SD : 16k :SD - Saxaphone from Korg M1 M1VIB1 .SD : 11k :SD - Vibraphone from Korg M1 MIDSAX .SD : 63k :SD - Mid Sax of 3-parts Low/Mid/Hi Sax's OPENHH .SD : 25k :SD - Seq Tom Open Hi Hat RIDECYMB.SD : 88k :SD - Seq Tom Ride Cymbal TRAINWHS.SD : N/A :SD - Errie-Spooky Train Whistle Files listed: 32 T - 00:15:09 (39)-(Sample -1 SD & FZCom Samples) :* Dirs available: 1 - Generic MIDI-Documentation 2 - IBM Programs & Files 3 - Mac Programs & Files 4 - Atari Programs & Files 5 - Amiga Programs & Files 6 - Apple II Programs & Files 7 - C-64 Programs & Files 8 - C1/CX-5m/Other Programs & Files 9 - IBM BBS Utility Programs 10 - Mac BBS Utility Programs 11 - Atari BBS Utility Programs 12 - Amiga BBS Utility Programs 13 - Apple II BBS Utility Programs 14 - C-64 BBS Utility Programs 15 - SysEx / MIDIEX Utility Programs 16 - Akai Patch Library 17 - Alesis Patch Library 18 - Art Audio Patch Library 19 - Casio Patch Library 20 - DigiTech Patch Library 21 - E-mu Patch Library 22 - Ensoniq Patch Library 23 - Greymatter Patch Library 24 - Iota Patch Library 25 - JL Cooper Patch Library 26 - Kawai Patch Library 27 - Korg Patch Library 28 - Lexicon Patch Library 29 - Oberheim Patch Library 30 - Orban Patch Library 31 - Roland Patch Library 32 - Sequential Circuits Patch Library 33 - Voyetra Patch Library 34 - Yamaha Patch Library 35 - Yamaha DX/TX -7 Patch Library 36 - Yamaha FB-01 Patch Library 37 - Yamaha TX-81z Patch Library 38 - 360 Systems Patch Library 39 - Sample -1 SD & FZCom Samples 40 - SMF's #1 Standard MIDI-File's 41 - the MIDI-Hacker's SMF's T - 00:14:53 (39)-(Sample -1 SD & FZCom Samples) :2 T - 00:14:24 (2)-(IBM Programs & Files) :L File mask: IBM Programs & Files - #2, 155 files. ===================================== MIDIPLAN.ZIP: 2k :Plans for a midi interface MIDITR .ZIP: 12k :Windowed 4-quadrant MIDI Data Monitor/Display program MIDMON .ZIP: 28k :Graphic MIDI display in an unusual format -- check it out MBOX212P.ZIP: 2k :Music Box MIDI composition tool. CA13 .ZIP: 36k :CHORD HELP FOR MIDI MUSICIANS MUSICIAN.ZIP: 210k :notation seq. prints to laser or matrix, midi/mouse/cursor CAKEWLK4.ZIP: 246k :Demo of Cakewalk 4. Save Disabled AEOLIA .ZIP: 11k :ibm/midi/ + PC-ORC .ZIP: 272k :Text based sequencer with patches included. ACC3 .ZIP: 38k :MIDI STUFF FOR CAKEWALK/MT32 MPUPRO .ZIP: 14k :C AND MASM SOURCE CODE FOR MIDI I/O D50EDIT .ZIP: 32k :d50 patch loader. use with patches in d50ucpat.zip BICON .ZIP: 508k :WINDOWS ICONS 3.0 (HUGE) MVP-KEYS.ZIP: 26k :Windows (2.xx or win/r) MIDI "keyboard" K3EDITOR.ZIP: N/A :Kawai K3 Editor/Librarian Program - Pretty Good! MPUTLKT .ZIP: 26k :An Assembly language toolkit for handling MPU-401 BARON .ZIP: N/A :Demo of Note on Baron program GUITAR21.ZIP: 22k :shows scales & modes - for windows 3.0 PLAY .ZIP: N/A :A MIDI program to save sequences and another to play them. LMP32P .ZIP: 241k :LMP Laser Music Processor v3.2 11/19/90 copy. STRANGE . : 6k :k4 strange bank MBSRC .ZIP: N/A :A MIDI sequencing program with source in asm. MTPDEM .ZIP: N/A :demo of master tracks pro from MS Windows - real mode only K12ASC .ZIP: 31k :Generic binary patch import util for Cakewalk and K1 MIDIXP .ZIP: 15k :MIDI DIAGNOSTIC PROGRAM from Sonic Services TRY IT ! MIDIGRPH.EXE: 19k :Graphic keyboard display of midi info. Pretty Cool. SOUNDEMO.EXE: 108k :A killer demo of pc speaker sample playback MVPMID .ZIP: 27k :a windows midi keyboard MT32 .DRV: 2k :This puts in Roland MT-32 Music in your Sierra SCI games! VOYETRA .ZIP: N/A :DEMO of Voyetra's new line of Sequencers THDEMO .ZIP: N/A :Demo of THEME, great music printing/MIDI for PC compat. RAVELUTL.ZIP: N/A :ravel utilities RAVELDOC.ZIP: N/A :ravel documentation RAVEL .ZIP: N/A :ravel alg. comp. language by jim binkley VFX-FILE.COM: 16k :Ensoniq VFX patch librarian LYRADEMO.ZIP: N/A :MPU401/SBlaster. Composer (CGA) MBDOC .ARC: N/A :Music Box Program Documentation --- MSA10 .ARC: N/A :MIDI-Stream Analyzer --- EARTRA .ARC: N/A :Simon Say's; Ear Training Program --- DUMPST .ARC: N/A :Inspired by "Peek" Mind over MIDI - Expanded! POPFB0 .COM: N/A :Yamaha FB-01 Voice/Configuration TSR --- FB01 .EXE: N/A :Yamaha FB-01 Voice/Configuration program --- MIDIMU .ARC: N/A :DEMO - "The MIDISystem" MIDI-Recording System - MPU-401's MIDIGR .ARC: N/A :5-Octave Keyboard Display responding to MIDI-IN --- ESQBAN .ARC: 25k :Ensoniq Patch Dump/Load program - MPU-401 --- DW8000 .EXE: 30k :Korg RealTime Editor/Librarian --- BYTEMI .ARC: 41k :"C" routine for MIDI --- EARDEMO .ZIP: N/A :DEMO of Ear Master training software THRUOFF .COM: 1k :Turns off MIDI-Thru on MPU-401 MFFPLAY .ZIP: 47k :Playback MidiFiles from DOS prompt MSA .PRN: 4k :Companion file to MSA.exe MSA .EXE: 13k :Displays MIDI data received at MPU on monitor MIDI-1R .ZIP: N/A :MIDI-1 Demo Uses Roland Drum Kit/ 23 Song Seq. MIDI-1Y .ZIP: N/A :MIDI-1 DEMO uses Yamaha RX drum kit/ 23 Song Seq. MIDI-1M .ZIP: N/A :MIDI-1 DEMO uses Korg M1 drum kit/ 23 song seq. MIDI-1K2.ZIP: N/A :MIDI-1 DEMO uses K1-II drum kit /23 Song Seq. MIDI-1K1.ZIP: N/A :MIDI-1 DEMO for K1/w Patch / 23 Song Seq. SPJR .ZIP: N/A :this is the SpJr. Demo for the SoundBlaster Card --- CHANGES_.EXE: N/A :Chord scales INST8-90.ZIP: N/A :Voyetra's Instrument.LIB v3.06 TRUMPETV.ZIP: 6k :Trumpet Voluntary - Cakewalk LMP32-1 .ZIP: 199k :LMP Laser Music Processor version 3.2 demo CONVIBM .EXE: N/A :midi to ballade conversion VZ1 .ZIP: 39k :VZ1 utils (get sysex for multichannel, opmem and voices) CAKE2MID.ZIP: 16k :Converts Cakewalk to std .MID files BEATIT32.ZIP: 20k :MT32 Drum Machine Editor FRETBD .ZIP: 13k :fretboard scale tool GUITNOTE.ZIP: 32k :Guitar note practice - EGA/VGA - not the same as SCALES.ZI BUMBLE .ZIP: 10k :SP+ sng file, "Bumble Boogie" 3mins long WINDOPUS.ZIP: N/A :See WINSONG.ZIP this is the same thing! SMPL1 .ZIP: N/A :Demo of a SMPTE/MTC sequence player for IBM PPCZ100 .ZIP: N/A :Casio CZ series editor/librarian - with patches MIDITOON.ARC: N/A :"Piano Roll" music entry/MIDI playback MIDI_111.ARC: N/A :C source for 16 track recorder/player NOTER .ZIP: 36k :Polyphonic composition and playback on IBM Speaker! CHORDS .ARC: 16k :Shows and play virtually all chords w/inversion & trans. CASSLAB2.ARC: 24k :Cassette Labeling Program - - - Simple --Gets The Job Done CMT .ZIP: N/A :MIDI Toolkit from CMU CAKECAL .ARC: 4k :Cakewalk v3.0 Professional program applications language PRO .ZIP: 102k :Complete Editor for the Proteus/1 AKAI_IBM.ARC: 23k :Sampler editor for AKAI S612 BELSDE .ZIP: N/A :TX81Z shareware editor/librarian BYTE6-86.ARC: 51k :BYTE Magazine article/programs in C for MPU-401. CASIOID .ARC: 27k :CZ-101 Editor/Librarian CZ1EDIT .ARC: 77k :CZ-1 Voice/Patch Editor CZEDIT .ARC: 80k :CZ-101 / CZ-1000 Voice / Patch Editor DIGICVAT.COM: 5k :Converts ADAP/SoundDesigner sample files to SampleVision. DMI-64 .ZIP: N/A :VOCE DMI-64 RackMount Organ Synth * * EDITOR * * DOC&MCRO.ZIP: 22k :Personal Composer 2 Keystroke Macros and Cheat Sheet DRUMMER .ZIP: N/A :Drummer V1.0 Demo by Cool Shoes Software DX11 .ZIP: N/A :Shareware DX11/TX81z/CZ101 editor and librarian EARTRAIN.ZIP: 12k :Train your ear using midi and synth ESQBANK .INF: 3k :Info about ESQBANK librarian for IBM ESQDEMO .EXE: N/A :ESQ-1 Librarian/Bank Editor for IBM-PC FB01!ED .ARC: 47k :FB-01 Configuration Editor * * * Good * * * FIX_PC_2.ARC: 8k :Patch for PC 2 for higher performance CPUs FORTE .ZIP: N/A :Forte is a nice sequencer demo with 6 songs included FOURIER .C : 3k :C code fragment for fourier transform function FOURIER2.ZIP: 52k :Graphic Fourier program (VGA) FWAP .ARC: 36k :Drum Machine Sequencer Demo for Forte FZCOM .DOC: 23k :Communications program FZ - IBM -- via MIDI FZCOM .EXE: 64k :FZCom - the program to Load/Save Casio FZ Samples via MIDI FZEDIT .DOC: 12k :Interactive Editing of FZ sample parameters FZEDIT .EXE: 103k :FZEdit program Edit FZCom file parameters FZLIST .DOC: 10k :Interactive browising of parameter data in FZCom file FZLIST .EXE: 88k :FZList program browse FZCom file data FZWAVE .DOC: 3k :Navigate through FZ PCM data from FZCom file FZWAVE .EXE: 76k :FZWave program FZ PCM data in FZCom file GETIT .ARC: 47k :another SysEx Dump/Load program GETIT25 .ARC: 22k :Midi utility. version 2.5 GETIT30 .ZIP: 33k :sysex utility with large buffer GLOBDEMO.ZIP: N/A :A MT-32 Sound Editor Called SOUND GLOBS, DEMO JMDEMO .ARC: 26k :roland juno editor DEMO K1ED .ARC: 56k :K-1 Editor (demo) K1LIB3S .ZIP: 96k :K-1 Librarian LILGUY .ZIP: 33k :LilGuy FB-01 Config./Voice Ed/Lib program Shareware LIST4OP .ZIP: 9k :List voice names for MIDIEX bank from Yamaha 4 op synths. LMP-DEMO.ZIP: 186k :Demo of Laser Music Processor Notation Program. MACMIDI .ARC: N/A :CONVERT 'MAC-MIDI FILES' TO "STANDARD" MIDI FILES MB .ZIP: 69k :Music Box Demo Sequencer for Windows --- MIDI16C .ZIP: 38k :C routines for MIDI MIDICODE.ARC: N/A :Text Midi general information file MIDIED .ZIP: N/A :Shareware TX81z/DX11 editor/librarian MIDIEX .EXE: 16k :* * * * * Best! SysEx Dump/Load Program for IBM compat. MIDIEXSR.ARC: N/A :MIDIEX Source Code MIDIGRPH.ARC: N/A :Displays a 5-octave midi keyboard MIDILO .ZIP: 14k :An alternative to Midiex MIDISEQC.ZIP: N/A :MT 8-track sequencer/editor by Jim Conger - nice MIDITEST.ARC: N/A :Utility to Send lines of Ascii-Data to MPU-401 MIDIXP .ARC: N/A :Midi Diagnostis for MPU401 from Sonic Services ! MIRAGLIB.ARC: N/A :LIBRARIAN FOR MIRAGE SAMPLER MOZART .ZIP: 14k :Turbo Pascal Source for Simple sequencer MPU401 .ZIP: 17k :VERY simple programs too peek and send on MPU-401 MPU401C .ARC: N/A :"C" routines for MPU-401 by Marty Shannon MPUBAS .ARC: N/A :BASIC I/O routines for IBM w/ MPU-401 I/F MPUDEMO .ARC: N/A :BASIC MIDI MPU-401 Demo software and doc's. MPUTIL .ARC: N/A :* * * * * MIDI-Exclusive Analyzer program * * * * * MPUTIL4 .ARC: N/A :Midi Utility MSTUDIO .ZIP: N/A :a nice notation program for midi & non-midi users OPUS .ZIP: N/A :Demo of Opus alternate MIDI-Interface Program OVIEW-P .ZIP: 89k :DEMO of Turtle Beach Softworks - Oview / Proteus Editor PEEK .ZIP: 14k :A excelent MIDI monitoring program by Carter Scholz PLAY21D .ZIP: 53k :Play / get information fo MIDI fmt files PRISM .ZIP: N/A :Demo of Prism Graphics Orient'd Sequencer. PROTEUS .ZIP: 4k :Patch listing program for Emu Proteus 's PSSED11 .ZIP: 84k :yamaha pss480 editor/libriarn SAMPLVIS.ZIP: 80k :DEMO of Turtle Beach Softworks - SampleVision - Editor - SCALES .ZIP: 32k :Guitar Scales ! SHOWMIDI.EXE: 23k :MIDI data monitor for MS-Windows - Hex, ACII and text SP3-DEMO.ZIP: 325k :Voyetra's Sequencer Plus Mk. III v3.0 - Demo sans SAVE - SV-SPKR .ZIP: 58k :Playback SampleVision samples on your AT w/6bit resolution SYSEX .ARC: 14k :Midi sysex transfer from Dos command line (Sonic Services) TX81ZE .ZIP: 59k :Another shareware TX81z/DX11 editor/librarian VOICEVEW.ARC: 46k :CZ-101/1000 Librian Program. WINSONG .ZIP: N/A :DEMO MS Windows - Sequencer & Notator program Files listed: 155 T - 00:13:38 (2)-(IBM Programs & Files) :* Dirs available: 1 - Generic MIDI-Documentation 2 - IBM Programs & Files 3 - Mac Programs & Files 4 - Atari Programs & Files 5 - Amiga Programs & Files 6 - Apple II Programs & Files 7 - C-64 Programs & Files 8 - C1/CX-5m/Other Programs & Files 9 - IBM BBS Utility Programs 10 - Mac BBS Utility Programs 11 - Atari BBS Utility Programs 12 - Amiga BBS Utility Programs 13 - Apple II BBS Utility Programs 14 - C-64 BBS Utility Programs 15 - SysEx / MIDIEX Utility Programs 16 - Akai Patch Library 17 - Alesis Patch Library 18 - Art Audio Patch Library 19 - Casio Patch Library 20 - DigiTech Patch Library 21 - E-mu Patch Library 22 - Ensoniq Patch Library 23 - Greymatter Patch Library 24 - Iota Patch Library 25 - JL Cooper Patch Library 26 - Kawai Patch Library 27 - Korg Patch Library 28 - Lexicon Patch Library 29 - Oberheim Patch Library 30 - Orban Patch Library 31 - Roland Patch Library 32 - Sequential Circuits Patch Library 33 - Voyetra Patch Library 34 - Yamaha Patch Library 35 - Yamaha DX/TX -7 Patch Library 36 - Yamaha FB-01 Patch Library 37 - Yamaha TX-81z Patch Library 38 - 360 Systems Patch Library 39 - Sample -1 SD & FZCom Samples 40 - SMF's #1 Standard MIDI-File's 41 - the MIDI-Hacker's SMF's T - 00:12:01 (2)-(IBM Programs & Files) :Q T - 00:11:23 [10] [CASIO FZ Information Center] :* Subs available: 1 - General Messages 2 - IBM Messages 3 - Mac Messages 4 - Atari Messages 5 - Amiga Messages 6 - Apple II Messages 7 - C64 Messages 8 - Product Reports 9 - For Sale or Trade 10 - CASIO FZ Information Center 11 - the MIDI-Music Productions 12 - the MIDI-Information Library 13 - the MIDI-Encyclopedia 14 - the MIDI-PhoneBook 15 - the MIDI-Net T - 00:11:15 [10] [CASIO FZ Information Center] :10 T - 00:11:07 [10] [CASIO FZ Information Center] :S 30 msgs on CASIO FZ Information Center Start listing at? 1 (1) CASIO FZ Shareware Library Optional Software descriptions (2) CASIO FZ Bulletin #5 Single Cycle Loops - a.k.a. Tuned Loops (3) CASIO FZ Bulletin #2 FZ-1 Disc/Keyboard Configurations Pt.1 (4) CASIO FZ Bulletin #2 FZ-1 Disc/Keyboard Configurations Pt.2 (5) CASIO FZ Bulletin #3 FZ-1 RE:Crossfade on FZ-1 (6) CASIO FZ Sampler Shareware Library - How to get your samples (7) CASIO FZ Bulletin #3 Revised! CROSS-MIX WRITE --- (8) CASIO FZ Bulletin #3 Revised! CROSS-MIX WRITE page 2 --- (9) CASIO FZ Shareware Library Instructions ... (10) CASIO FZ Sampler Shareware Library - We Rated the Samples! Read:(1-30,^10),? :1 1/30: CASIO FZ Shareware Library Optional Software descriptions Name: <<< Walt Perko #1 @4558 >>> Date: Fri Oct 27 14:40:48 1989 CASIO FZ SHAREWARE Sample Library FZ Optional Software: PLAYBACKER - sequence storage program for the FZs. Allows up to a 3800 note sequence (one song at a time, created on your sequencer) to be stored in the FZ's RAM and saved onto disk (this is not a sequencer itself!). Handy for transporting sequences without carrying your sequencer. DISK DIRECTORY - optional software program that tells you at a glance what type of files are resident on a disk, and how much memory space is left on that disk. Excellent tool when putting together your own custom disks. COPY TOOL - is the device that allows the copying of other Optional Software programs, as well as sound disks. LOOP TOOL - is a crossfade application in software that makes it easier to smooth out the "pops" in looped sounds, more effectively than the onboard crossfade function. Invaluable if you are doing your own sampling. NOTE: COPY TOOL and LOOP TOOL are identical disks at this point, and the latest versions of both programs exist on both disks, so you really only need one of these when making your selection. Again, we are very interested (as are the rest of the FZ users) in hearing YOUR samples. If you have anything you think would be a useful addition to the library, send it along to us at CASIO (attn: PMP Division); you'll be doing all fellow FZ users a service. We hope to continually expand the SHAREWARE library and provide the sounds necessary to maximize the considerable potential of the FZ. Read:(1-30,^1),? :2 2/30: CASIO FZ Bulletin #5 Single Cycle Loops - a.k.a. Tuned Loops Name: Walt Perko #1 Date: Sun Feb 04 12:11:48 1990 CASIO FZ Bulletin #5 Single Cycle Loops a.k.a. Tuned Loops Greetings, FZ users! Here we are again with some things we have discovered to help you save time and get more out of your FZ sampler. 1. SINGLE-CYCLE LOOPING - In many instances, you can achieve a smooth loop by looping a single cycle toward the end of a sound, rather than taking a large chunk of the sound and trying to achieve a pop-free loop. This can be done in virtually no time once you have the hang of it. Single-cycle loops will work best on sounds that don't have a lot of detuning or "chorused" characteristic to them, since the single cycle loop tends to "flatten" the sound out and eliminate the movement. For many sounds, however, you can take a very short sample (1/2 second - 1 second long) to get the basic character, then loop a single cycle and have it provide the sustain and/or decay portion of the sound. You can often cover up the reduction of movement in the sound by using LFO and tailoring the DCA envelope so the sound fades out gradually as you hold the key down. This can conserve you memory, as well as alleviate you tearing your hair out trying to get a pop-free loop. If you sample a sound, proceed to the LOOP screen, then press DISPLAY, you will see that there is a "picture" of the sound. The first picture you see is a coarse resolution depiction of the tone; as you probably know, CURSOR DOWN will give you a closer look at the sound data. If you cursor down 5 or 6 times, the picture will take on the look of slopes above and below a center line. We can consider this a look at the cycles (amplitudes above and below the center line) that make up that sound. A SINGLE CYCLE of any sound is one slope above and the subsequent slope beneath and back up the center line. If you place the start and end points of your loop near the end of your sample (so that its fundamental attack characteristics are not lost), and make the start point the beginning of the up slope from the center line, and the end point the return to the center line from underneath, a SINGLE CYCLE, VOILA, a perfectly smooth loop! HOW TO MAKE SINGLE CYCLE LOOPS 1. Take a short sample (1 sec. in length) of another instrument you have (keyboard, guitar, synth, etc.). 2. Enter the VOICE EDIT menu, then enter CREATE VOICE and then LOOP. This will give you a numerical display of the loop data. 3. Move the START point back to a number near, but not at, the end of the sample data (perhaps #32 or 33) and set the END to the same number. 4. Press DISPLAY to see a graphic representation of the data, then press CURSOR DOWN several (5-8) times until the data appears as wide slopes (single cycles) above and below the center lines. 5. The ENTER button will toggle you back and forth between the START and END points of the loop when in display mode. Go to the START point and move the VALUE DOWN button until you are at the beginning of a cycle (the start of an upward slope). 6. Press ENTER to look at the END point; press the VALUE UP button (or the VALUE SLIDER) until you reach the end of the next upward slope, coming from underneath the center line. This will give you START and END points covering once over the center line and once under, or a complete cycle. 7. Set the LOOP TIME to END by CURSORING DOWN to it, and moving the VALUE SLIDER all the way up. or (EVEN FASTER); 1. While still on the numerical screen, back the start point up a bit to wherever you like, and set an END point between 135 - 140 FINE numbers above the start point. THis will put you in the ballpark of a single cycle; ;you can use the FINE or EXTRA FINE adjustments to tune the sustain portion correctly. 2. Now you will hear the sound level out from its initial characteristic a bit, but you'll have a clean loop. You must now "fudge" some movement using the LFO and DCA. Input the following; LFO: DELAY = 010, RATE = 096, DEPTH = 002 DCA: STEP 1 - RATE = 99, LEVEL = 99, no SUS STEP 2 - RATE = 10, LEVEL = 00, no SUS STEP 3 - RATE = 40, LEVEL = 00, END (for more key release reduce rate) Now the sound will not only have a little vibrato for movement, but it will taper down in volume so that the single cycle is not as evident. We've found this to be quite a time saver, especially when looping generic "synthesizer" - type sounds. It certainly won't get you there every time, but it will definitely help you in many cases. Read:(1-30,^2),? :3 3/30: CASIO FZ Bulletin #2 FZ-1 Disc/Keyboard Configurations Pt.1 Name: Walt Perko #1 Date: Sun Feb 04 16:09:48 1990 CASIO FZ Bulletin #2 FZ-1 Disc/Keyboard Configurations: The CASIO FZ-1 Sampling Synthesizer has, among its many fine features, completely flexibility in configuring the keyboard for performance and for multi-timbral MIDI playback. Here are some general tips for setting up keyboard configurations. An FZ-1 right out of the box has one Megabyte of memory. Sound data can be stored in one of three different formats: 1. VOICE DUMP - Individual Samples 2. BANK DUMP - Keyboard setups consisting of multi- samples, splits, layers, multi-timbral setups, etc. 3. FULL DUMP - the full contents of the FZ-1, including all banks, voices, global settings, etc. The advantage to FULL DUMPS: They can be done from the PLAY screen, and this is much quicker (requiring less keystrokes) in most situations. Bear in mind that DATA SAVED IN ONE FORMAT CANNOT BE RECALLED IN ANOTHER FORMAT. For example, if you save some samples as a BANK, they cannot be recalled as a FULL DUMP. If you try, you will simply get a reading of "FILE NOT FOUND". Here is a general procedure for creating your own custom disc from CASIO's FL-disc Library. The CASIO FL libraries are all stored to disc as FULL data, meaning that the individual samples cannot be recalled as VOICE DUMPS, and individual banks from FL discs cannot be recalled as BANK DUMPS. Also, remember that for ;your custom discs, 3-1/2" DOUBLE-SIDED, HIGH-DENSITY, FLOPPY DISCS MUST BE USED!!! To create your own banks out of existing sounds from various FL discs (using a One Megabyte machine), you will need to: 1. Format a blank HD disc (your "custom" disc.) 2. Load desired FL disc as FULL DUMP. 3. DELETE the banks that you do not want as part of your eventual configuration. (You can delete "BANK & VOICE" - you will not erase the original voice data as long as it is being used somewhere else on the FL disc.) 4. "SAVE" the remaining bank(s) as BANK FILES to the custom HD disc. 5. "LOAD FULL" the next FL disc you wish to extract banks/sounds from. This will erase the previous data from the FZ-1, so you may want to "VERIFY FULL" from your custom disc before proceeding. 6. Repeat steps 4 & 5 until you have all the sound data you need (or can fit) on the custom disc. saved as BANK DUMPS for now. 7. Reload ("LOAD BANK") all the information on your custom disc into the FZ-1, bank by bank. Be sure that you reload each bank into a subsequent location ("DEFINE BANK" 1, then 2, then 3, etc.). 8. When all banks are loaded into the FZ-1, "SAVE FULL" the entire configuration onto your custom disc. If you get a "NO MEMORY SPACE" reading, reformat the custom disc to erase it (formatting is done from the DATA DUMP menu), then save the data as "FULL". You will not disturb any of your configurations by re-formatting, and this requires less button pushing then erasing each bank file. This is a very basic method of making your own custom keyboard setups for performance. If you have an FZ-1 equipped with an MB-10 memory expansion board, you then have two Megabytes of memory capacity to play with and it does make the above procedure quite a bit easier. With a two-meg machine, you can (usually) have the contents of two FL discs loaded in at once. This will save you a few steps in the process, because you won't have to erase the previous contents of the machine by loading another FL disc, and you won't have to save all the banks you wish to keep onto your custom disc every time you load new sounds. You will probably be able to keep, monitor, and even modify the eventual contents of your custom disc as you go along (because you are doing modification right in the machine instead of multiple disc operations), and then SAVE FULL when the contents of the machine are to your satisfaction. Remember that with the expanded memory your custom setup(s) may be more than 1 Meg of data and it will require two HD discs to save to! If all this sounds confusing, the difference between having the memory expansion and not having it becomes crystal clear once you've tried it both way. For this reason alone, the MB-10 is well worth its price. y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y Read:(1-30,^3),? :4 4/30: CASIO FZ Bulletin #2 FZ-1 Disc/Keyboard Configurations Pt.2 Name: Walt Perko #1 Date: Sun Feb 04 16:11:59 1990 CASIO FZ Bulletin #2 FZ-1 Disc/Keyboard Configurations: Of course, there is much more that can be done with individual BANK configurations than simply scaling a sample across the keyboard, or multi-samples of the same sound across the keyboard. Let's explore some of these possibilities. These are done using a single bank. You would go to the "BANK EDIT" option, "DEFINE" an empty bank, then select "CREATE BANK". You will be presented with a screen offering many choices - an Area number, a Voice (sample) number, a key range (original, highest, and lowest) for the voice, minimum and maximum touch thresholds, and (cursoring down) area level, MIDI channel assignment for that area, and which of the 8 mono outs you wish to assign the sample to. Cursor right to go to area 2, etc. 1. SPLIT KEYBOARD - In its most common usage, you can take two sounds and put one on the upper and one on the lower portions of he keyboard. Configure a key split using a single (empty) bank with the first few areas using only the samples covering the lower part of the split, and subsequent areas using only the samples necessary to cover the upper part. If there is an unwanted overlap in the middle, you can go to the individual voices in that range and change their upper or lower limits (HIGHEST or LOWEST note) so there are two distinct key ranges that don't overlap. You can see an example of a conventional key split on one of the discs supplied with the FZ-1, the vibraphone/wood bass split (FL-B, bank 5). You can set the keyboard up to split any amount of times you want. Since you can take 64 samples into the FZ-1, and since you can freely allocate these samples anywhere on the keyboard (from a single note to the whole 5 octave range), you could conceivably have a 61 key splits, or one sample on each note, with three samples leftover! Needless to say, your samples would have to be very short, but it's a terrific way to get a lot of percussion sounds at your fingertips. This is an extreme application, perhaps, but it does point up the fact that YOU can decide what sounds are on the keyboard, where the splits occur, where overlaps occur, and many other wonderful things which we'll ge to straightaway. 2. LAYERS or TONE MIXES - If you tried to create a split and discovered an overlap of the key range of two samples, then you have inadvertently discovered layering, or tone mixing. This would simply involve (again, using a single bank) multiple sounds covering the same keyboard range, in successive areas. The keyboard can be split into 64 areas, so you can not only layer multi-sampled banks of sounds together, but you can create layered splits, or split layers, if you prefer. Simply decide which sounds you want where, and put them in various areas within a bank. Also, the AREA LEVEL control for each area would enable you to control volume for either or both sounds in the layer. If you have piano and strings, for example, and the strings are too loud, simply go to all of the areas using the string sample and reduce the AREA LEVELS to, say, 100 (127 is maximum). 3. VELOCITY LAYERS/SPLITS - Using the MINIMUM and MAXIMUM TOUCH control for individual areas, you can have two sounds layered, but one is present at all velocity levels and the second comes in when you reach a certain velocity level (e.g., a piano with strings entering when you play hard). You could lay all the piano samples across the keyboard, then in subsequent areas add the string samples and set them all to a minimum touch level of 100. This is a VELOCITY OVERLAP. The first, constant sound doesn't have to be constant either; it can disappear at a certain maximum velocity level. This would be a VELOCITY HARD SPLIT. This is especially effective for things like an electric bass that turns to a slap bass when you play hard, or using multi-samples (played soft and loud) to create the ultimate acoustic piano. Or you could conceivable create a bank in which 64 samples are each assigned individual and completely discrete velocity ranges (within the velocity spec of 127). Then, every two velocity increments or so would trigger a different sample(!). If you can physically play with enough control to trigger all 64 samples discretely on one key, hats off to you. But within the bounds of reason, you can easily create multi-sampled banks of sounds (similar sounds or completely different ones) with different samples triggered discretely by different key velocity. 4. MULTI-TIMBRAL MIDI LAYOUTS - Within a single bank, you can receive MIDI information on all 16 MIDI channels at once, within the 8-note polyphony of the FZ-1. Multiple sounds can be laid out in the necessary key ranges on separate MIDI channels in a single bank, and saved to disc. Then you would go to the main menu, select "EFFECT/MIDI", then select "MIDI FUNCTION", and set "RECEIVE=AREA". The FZ-1 will then function as a multi-timbral sound module for sequencer's and computers with sequencing software. This can be put to excellent use as accompaniment for your solo performances; for example, configure a bank with a group of piano samples set to MIDI channel 1, a bass sound on channel 2, and drums on channel 3, create an appropriate sequence, and presto - a hi-fidelity, low-maintenance backup band! VELOCITY OVERLAPS and HARD SPLITS can be configured into multi-timbral MIDI banks as well. y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y These are just some of the things you can do with keyboard configuration on the FZ-1. The various sound technologies/manipulations available (wave or sine synthesis, cross-mixing, reverse writing, multi-looping, etc.) will expand these possibilities when used in conjunction. If you come up with more clever applications along these lines, please let us know so we can spread the knowledge around to all FZ-1 users. Read:(1-30,^4),? :5 5/30: CASIO FZ Bulletin #3 FZ-1 RE:Crossfade on FZ-1 Name: Walt Perko #1 Date: Sun Feb 04 22:59:30 1990 CASIO FZ-1 Technical Bulletin #3 RE: Crossfade on FZ-1 The crossfade loop function on the FZ-1 may create some aural "grit", due to reduced bit resolution which causes a slight loss of fidelity. This "grit" may be desirable on certain samples, e.g. strings or voices. There is, however, a way to achieve the same effect of creating smooth loops without using the crossfade loop function, but instead using cross-mixing of a voice with itself ("X-MIX WRITE" on the "SOURCE SELECT" menu). This may facilitate a cleaner and quieter loop in some cases. First thing to do is go to the TRUNCATE function (VOICE EDIT/CREATE VOICE/TRUNCATE), and press DISPLAY for a visual readout. You will want to have the voice data start and end on a zero cross point if possible. You will probably need to go into high resolution for this (press DOWN cursor 5 or 6 times). When you have truncated to zero on the beginning and end, delete the unused portion of the data. After this, press DISPLAY and get back to the numerical readout. Now: NOTE THE NUMERICAL START AND END POINT OF THE DATA, AND WRITE IT DOWN. You will be using these in the calculations that follow. The basic procedure and mathematical formula: 1. Define an empty voice location, in which to store the cross-mixed voice. 2. Select "X-MIX WRITE" from the "Source Select" menu. 3. You may want to make sure at this point that you "DEFINE" an EMPTY voice location to work with, so you don't erase something. Press the ENTER key to manipulate functions, and ESCAPE to exit them and move to another. 4. The next choice on the menu is "VOICE SELECT"; here you will select the same sample for "1st" and "2d" voice, since you are "splicing" the sound onto itself. 5. "KEYBOARD SET" is user-determined, but will probably wind up being the same key range as the original voice. 6. "LEVEL SET" - Levels for both voices should be set to 255 (maximum) - use the value slider or he numeric keypad. Now we get into the "mathematics". The basic formula is: CROSS ZONE END - CROSS ZONE START = LOOP END - LOOP START = DELAY TIME CROSS ZONE END minus CROSS ZONE START equals LOOP END minus LOOP START equals DELAY TIME. The CROSS ZONE and the LOOP ZONE should cover the SAME numeric range, covering roughly the middle one-third of the data. Here's an example: you have a string voice (voice #1), on which you have determined (from looking at the TRUNCATE screen) the numeric start and end point of the data. Let's say (after you truncate the voice to start and end at a zero cross point) your start point for the data is 00, and the end point is 45. Now go into CROSS-MIX WRITE MODE, and we'll step through the menu. DEFINE VOICE - select an empty location (#64?) VOICE SELECT - select "Voice #1" for both "1st Voice and 2d Voice". KEYBOARD SET - should correspond to the original voice setting. LEVEL SET - set levels for both voices to 255. DELAY TIME - skip this for now (this will be approximately one-third the length of the total data). DETUNE - skip this for now as well. CROSS ZONE - Now divide the total numeric data by three: 45 v 3 = 15 Make the START point of your CROSS ZONE 15 and the END of the CROSS ZONE 30; this covers the middle third of the total sound area. Now go back to DELAY TIME and set it to 15 (equalling the END minus START points). Cursor down and EXECUTE the CROSS-MIX to the empty location. After you have done all this, you are ready to set the loop on this vice to the same numbers as the cross zone. Go to the MAIN MENU, the VOICE EDIT/ CREATE VOICE/LOOP SET. Set the numerical value for START to 0015, and END to 0030. Set the LOOP TIME to SUS so you can get a good ling listen to the loop. Chances are it will need some smoothing off; cursor up to START COARSE and press DISPLAY. CURSOR DOWN to about the 5th or 6th resolution; you will see the END point displayed. You should see virtually the same wave sectors displayed, facilitating a smoother loop. Use the value slider or value buttons to find a zero cross point for the START (check finer resolutions to make sure), and then press ENTER and find zero cross point for END. You can try different divisions of the original sample data; for example, if you don't get a good loop using on-third of the total, try on-quarter or the data as an X-factor, or just an arbitrary number of increments in from the beginning and end of the sample. I have had the most success with one-third. Editing software (currently being developed by third-party vendors) should render this solution unnecessary, as the software will probably perform this function and bypass the FZ-1's hardware. Until such time as it appears, or to those who will use the FZ-1 without computer assistance, this information should prove useful. Read:(1-30,^5),? :6 6/30: CASIO FZ Sampler Shareware Library - How to get your samples Name: Walt Perko #1 Date: Mon Feb 05 09:19:43 1990 CASIO FZ Shareware Library This is the CASIO-FZ West Coast Shareware Library. It is free to anyone who uses's a CASIO FZ Sampler. To order your sample you only have to SEND 1 DISC per Library Listing. These disc's you send MUST! be FZ-Format'd before you send it. You must also send return packaging and postage or I'll keep your disc's! Mail your order to: CASIO - East Coast: CASIO Shareware Library P.O. Box 108 Freeville, NY. 13068 CASIO - Midwest: CASIO Shareware Library P.O. Box 363 Des Plaines, IL. 60016 CASIO - West Coast: CASIO Shareware Library %the MIDI-Exchange BBS P.O. Box 640608 San Francisco, CA. 94164-0608 Remember! SEND: 1 MF-HD DISC for each Sample Library Listing. SEND: RETURN postage and packaging. SEND: A list of Library Disc's you want. Read:(1-30,^6),? :7 7/30: CASIO FZ Bulletin #3 Revised! CROSS-MIX WRITE --- Name: Walt Perko #1 Date: Mon Feb 05 11:40:28 1990 CASIO FZ Application Note #3 REVISED! In our FZ technical bulletin #3 we outlined for you a creative way using "CROSS-MIX-WRITE" to create high-quality loops of complex sounds. This method is easy to use and is very effective for looping complex sounds (Multiple-layered MIDI stacks, rich ensemble sounds with varied LFO rates and other non-repeating sound sources) or can be considered an easy for the novice user to create loops until they master more traditional looping techniques. As we have learned to master this technique we have come up with more detailed methods to effectively benefit from it, and this bulletin will help you learn to apply this technique to your sampling sessions. First let's explain the theory and processing behind the method. Among the FZ's many features is a method of splicing one sample to another with a user-defined cross-fade zone which is called "CROSS-MIX-WRITE". This is labeled in the "SOURCE SELECT" section of the "MAIN MENU" as "X-MIX WRITE". With this function you can choose two different sounds and splice them together to create one sound with the attack characteristic of the first sound which will seamlessly fade into the second sound due to the cross-fade processing involved. The user can define the length of the cross-fade zone, with a very short zone creating a more abrupt transition between the two sounds and a longer zone allowing for a smoother transition. The zone start point will determine how much of the first sound is heard before the second sound starts to "fade" in, and the zone end point determines the length of the "fade-in" as well as how much of the second sound's attack portion will be heard. Our technique involves using this process to cross-fade between a sound and itself which is delayed by some factor. By delaying the second sound's attack we can take what would have been more of an overlap and offset it by a user-defined amount of time. Since we are taking the same sound and offsetting it this way it is very easy to find two places to set loop points that will be exactly the same wave data, making a perfect loop every time! All you have to do is set the cross-zone to be the same length as your delay factor and those points will be duplicated wave data points from both sounds. I'll use the following example to help you understand this: We take a 2 second sample of our favorite MIDI layer and cross-mix write it to itself, with a delay of 1 second. This means that 1 second into playing the first sound the second sound (another version of the same sound) begins to play, and it lasts 1 second longer than the first. Now if the cross-zone start is placed 1 second into the first sound and cross-zone end is placed a second after that it will occur exactly a 1 second into the second sound, and therefore will be the exact same wave data. Since the wave data is identical the loop will have no pops or clicks which occur when two loop address points occur at different points in wave cycles (rising or falling edges) or between different amplitude values. All you have to do in using this technique is plug into the following formula and then experiment with different values for the delay length and cross-zone address locations. The formula is as follows: DELAY FACTOR = CROSS ZONE LENGTH = LOOP ZONE LENGTH, with CROSS ZONE ADDRESS = LOOP ZONE ADDRESS Continued in the next message! Read:(1-30,^7),? :8 8/30: CASIO FZ Bulletin #3 Revised! CROSS-MIX WRITE page 2 --- Name: Walt Perko #1 Date: Mon Feb 05 11:43:02 1990 CASIO FZ Application Note #3 REVISION Continued! The formula is as follows: DELAY FACTOR = CROSS ZONE LENGTH = LOOP ZONE LENGTH, with CROSS ZONE ADDRESS = LOOP ZONE ADDRESS This technique is very simple to do so here's a step-by-step tutorial to help you master it. 1. Sample a sound (you should already know how to do this!) After sampling the sound go into VOICE EDIT mode and get to the "TRUNCATE" mode. Look for the "TRUNCATE END" value and make a note of it, you'll need to know how long the sample is later! 2. Go back to the "MAIN MENU" and select "SOURCE SELECT". 3. Choose "X-MIX WRITE" and then define a new voice which has not been recorded. 4. Go to "VOICE SELECT" and choose your already-sampled sound for both voices. At this point you can define the KEYBOARD SET", but it is not necessary. 5. Set the "LEVEL SET" for both voices to the maximum (255). If you were cross-mix writing between two different sounds you might want to set some special balance between them, but in this technique since it is the same sound cross-mixed back to itself the levels should be the same. 6. Now you must choose the "DELAY TIME" and there is no hard-fast rule for determining this number, but here are a few suggestions. Now is when you need to know the sample length so you'll already have gotten it from Step 1. Your delay time must be smaller than the total sample length, but the larger the delay time the slower any beating (actually amplitude "breathing" from the cross-fade effect) will occur. In our first version of Bulletin #2 we suggested using a value about 1/3 the length of the sample, but you might try a value anywhere from 1/2 to 2/3 the length of the sample. 7. DO NOT set any "DETUNE" value as you want both versions of the sound to be in tune with each other! 8. Set the "CROSS ZONE" START and END points to numbers which are the same value apart from each other as the "DELAY TIME" that you choose. Example: Delay Time = 30 Cross Start = 35 Cross End = 65 Just as in looping you should select the start point partway into the sound so it will occur after the more complex attack portion of the sound, when the sound's complexity has calmed down somewhat. Now use your ears to experiment with different start and end point addresses, the FZ's keyboard will be producing a "Test Tone" version of the sound so don't worry - all the keys will sound the same pitch! The sound will be like a subtle "repeat" of your sample and you should listen for how smooth it sounds. If the sound has a noticeable repeat or part of the sample seems to re-trigger noticeably just choose a new start and end point somewhat later. You can keep experimenting with different address points as much as you want, because you don't have to execute the "X-MIX WRITE" function until your ears tell you the sound is smooth! Just be sure that the difference between the start and end points always equals the delay time. Don't be afraid to keep trying different values until you are satisfied that the effect is as smooth as possible. I like using the up and down value keys to change the start and end numbers as it saves me from having to type in new numbers every time I want to make a change. If you can't get it smooth enough for your taste then go back to "DELAY TIME" and try a different number there, either larger or smaller. Then try setting new cross zone start and end locations, always maintaining the same difference as the delay time! 9. When the effect seems as smooth as it's going to get mark down the numbers that you used and then press the "ESCAPE" button. Move the larger "DOWN" cursor and the display will scroll and show "EXECUTE X-MIX". Press "ENTER" twice and then "YES" to execute this function. 10. When it is done executing go back to the "MAIN MENU" and choose "VOICE EDIT" and get into the "CREATE VOICE" mode and choose "LOOP SET". First set the "LOOP TIME" to "END" (a release loop) by moving the value slider all the way up, to the top. Now set the "LOOP START" point to the same number as your "CROSS ZONE START" and the "LOOP END" to the same number as your "CROSS ZONE END" points. You can use the "DISPLAY" function of your FZ to help fine tune these locations by pressing the "DISPLAY" button and then zooming in until the wave data pictured is at a fine resolution. Now use the "ENTER" button to toggle back and forth from the "LOOP START" and "END" points. If the picture keeps shifting slightly from side to side you may have to move one of the loop location samples to the left or right, use the small value up and down keys to the right of the display to move the cursor. If you followed this correctly you'll have created a perfect click-free loop no matter how complex the sound! 11. You can now go to "TRUNCATE" and set the "TRUNCATE END POINT" back to the loop end point by locating the cursor on "TRUNCATE END" and moving the value slider all the way down, to the bottom. Now add two to this number or the loop won't play. Press "ESCAPE" twice and select "VOICE DELETE" and choose "DELETE UNUSED" and execute that. What you have just done is deleted all the wave data after your release loop so you could gain back more memory for other samples. You can also delete the whole original voice you sampled to gain back memory, but be careful - don't delete this second cross-mixed version! 12. You will have to go back to "VOICE EDIT" and create the rest of the voice parameters (Filter, DCA, LFO, Velocity, etc...), but the most difficult part, looping, was painless and foolproof. Reading this document makes this technique seem more difficult than it really is, we just wanted to give you the most detailed instructions to help you get the benefits of this revolutionary editing "trick". Try it a few times and we're sure you'll get the hang of it. Sometimes the amplitude breathing is more apparent than others, in those cases more traditional looping techniques may have to be used. But you must remember that a lot of good music can and has been made using sounds that are looped less than "perfectly", and rather than always putting loops "under the microscope" you should create as good a sample as possible and then get back to the reason you bought your FZ - making music! In the course of performance you may not even notice a slight beating, or even the lack of a loop in the first place. This technique should help the novice sampler user right up to the "experts" to create high-quality loops and we hope this new expanded explanation helps you to better understand how to use our method and how to use your ears to help experiment with it before executing the final mix. Enjoy! Read:(1-30,^8),? :9 9/30: CASIO FZ Shareware Library Instructions ... Name: <<< Walt Perko #1 @4558 >>> Date: Fri Oct 27 14:44:12 1989 CASIO FZ Shareware Clearing House CASIO is pleased to announce a new program for distributing our SHAREWARE sound libraries, as well as Optional Software applications, for the FZ samplers. AS you probably know, CASIO has made available a set of public domain sounds and utilities for the FZs, under a program in which users could bring blank disks into authorized dealers, and do the copying at the dealer location (we realize this has not been the most convenient arrangement for our valued dealer base!) Thus, we are opening clearing houses, which have consented to do the disk copying for the users, provided the users provide the blank, formatted disks, and the postage both ways. We feel this will be a more expedient means of making these sounds and programs accessible to all FZ users. Also, the library itself will be expanding continually, and we are anticipating this program of being an effective way of allowing the user base to contribute their own favorite sounds to it. Here's the deal: 1) Send however many blank, FORMATTED HD disks (or equivalent) plus the order form stating the particular SHAREWARE you would like. 2) You are responsible for postage/shipping costs of your disks in both directions. The clearing houses will not be liable should you fail to provide pre-paid mailer, fed-ex number, UPS costs, etc. Neither CASIO nor the clearing houses will be responsible for disk malfunctions. Please continue to visit your local authorized CASIO dealer for the latest word on new CASIO Pro Music Products. Long live the FZ!!! Read:(1-30,^9),? :10 10/30: CASIO FZ Sampler Shareware Library - We Rated the Samples! Name: Walt Perko #1 @14550 Date: Wed Apr 04 21:01:48 1990 Rating the Sample Libraries Ratings: Great Good Fair Poor means no rating = means same rating - means judge liket the sample less + means judge liked the sample better CASIO FZ Sampler Shareware Library Judges: #1 #48 #158 1 Rick's Acoustuc Piano Good H= JC= 2 Clavinets Poor H= 3 FZ -- FM Good H- 4 Brassland Good 5 Buddy's Best Good H+ 6 Synth Combos #1 Good 7 Synth Combos #2 Good H= 8 Famous Synths #1 Fair 9 Famous Synths #2 Great H- JC= 10 Synth voices #1 Fair 11 Texture/split/lead Good 12 FRASU! Good H- 13 Lush Layers Great H- 14 Synth Strings/Chourus/Bells Good H= 15 Strings 15 Good H= 16 Ethnoteric Great H- JC= 17 Gamelan Percussion Good 18 Drums & Percussion Poor 19 Forty Snares Fair 20 FIFTY ONE BASS DRUMS!! Good 21 SOUNDHOUND #1 (percussion) Good JC= 22 SOUNDHOUND #2 Good H= JC= 23 SOUNDHOUND #3 Good JC= 24 SOUNDHOUND #4 Good 25 SOUNDHOUND #5 Good H- 26 BLOW HARDS Fair 27 Beethoven Hits Good H+ 28 Rap Drums Good 29 Nylon Guitar Good JC= 30 Famous Synths #3 Good H= 31 Glockenspiel (loopless) Good 32 New Age Guitars Good JC= 33 Freyed Good 34 L.L. Cool Guitar Fair H= 35 Steel String Guitar Fair 36 Trumpets Poor 37 K-style Orchestra Good H= 38 M-Strings Good 39 Farelite Boy's Choir Poor 40 Super Convinience Good H= 41 Pots and Pans Good 42 Famous Synths #4 Good 43 K-Piano Good H= 44 Atmosfears Good H+ 45 Frasu Composerr Disk Good H+ 46 Bang De Clanko Great H- 47 Sound EFX 1 Fair H= 48 Sound EFX 2 Good H= 49 Sound EFX 3 Good H= 50 Rhythm Section 1 Poor 51 Rhythm Section 2 Poor 52 Percussion 1 Good 53 Percussion 3 Good 54 Hip-Hop set Poor H= 55 Plucked and Struck Good 56 Woodwinds one Good 57 String Galore Poor 58 Beautiful Flute Good 59 Marimbones Fair 60 Brite Piano Strings Fair 61 Strat O'Fear Fair 62 Strat O'Fear 2 Poor 63 RICK rick Good 64 Mellow Piano/Strings Poor 65 Big Bottom (synth bass) Poor H= 66 Bigger Bottom (Moog Bass) Great H= JC= by Friends of the MIDI-Exchange BBS: MIDI-Ex-1 Nasty Girl's Fair MIDI-Ex-2 ARP-2600 Fair H= MIDI-Ex-3 Crystal Koto Good MIDI-Ex-4 Fat Saxephone Great MIDI-Ex-5 Enchanted Chorale Fair MIDI-Ex-6 Hammond B3 Organ Great MIDI-Ex-7 Bagpipes Great MIDI-Ex-8 Solo Violin Good MIDI-Ex-9 Ghostly Bass Violin Good MIDI-Ex-10 Orchestral Strings Good MIDI-Ex-11 Synth Strings Good Read:(1-30,^10),? :11 11/30: FZ-1 Up-Grade to a 2-Meg'r System --- Name: Walt Perko #1 @14550 Date: Mon May 14 07:57:10 1990 After contacting the manufacture i've found out that you can upgrade your FZ-1 from 1 Meg to 2 Meg with a simple plug-in card! I also found out that this up-grade can be bought locally in the Bay Area! The K&K Music Store in San Jose does the ordering, but the 2 Meg Up-Grade Kit is available at all K&K Stores in the Bay Area. I don't know what they sell it for. Call or Visit your local K&K for these details. If the salesperson you talk to isn't familiar with this, have them contact TOM at the San Jose Store. 4 Meg'r Up-Grades --- It isn't a rumor! The product is still in design mode. I've talk'd to the engineer, this isn't a very easy thing to do in the FZ's. The product is a good idea that just may never get to the market. We can only hope and see! yyy Happy MIDI'ing yyy- = | < Walt Perko > | = -yyy Read:(1-30,^11),? :12 12/30: Getting started with FZCom --- Name: Walt Perko #1 @14550 Date: Fri Jun 29 07:21:05 1990 Using FZCom w/FZ's As I am a registered owner ($15) of FZCom and the other FZ-Programs written by Dan Corkill (all on the BBS here) I can also provide some local consultation using these programs. I stress "some". Getting FZCom to Send/Receive Sample Data: 1. Be sure you have the proper MIDI-Cabling between the FZ-1 and IBM. 2. After running FZCom, move the courser over the "Inspect" command of FZCom and ENTER. 3. On the FZ-1 control panel, courser down to [DATA DUMP] ENTER [SELECT DEVICE] ENTER =>DUMP DEV = DISK this needs to change to: =>DUMP DEV = MIDI by pressing the "YES, Up arrow" twice 4. Courser down to [REMOTE MODE ] and now the FZ-1 is initially set for use w/FZCom. 5. While watching the IBM monitor, press key's on the FZ-1 and see the data arrive on the IBM monitor. This ensures a complete interaction and hook-up between the IBM and the FZ-1. 6. Now you can go on to the other functions of FZCom with the knowledge that they should work properly. Remember! You saw it here, on the MIDI-Exchange BBS SysOp Walt Perko Read:(1-30,^12),? :13 13/30: Cabling FZ to FZ --- Name: Walt Perko #1 @14550 Date: Fri Jul 27 21:10:57 1990 Connection between two FZ-1's Female DB-25 Female DB-25 Pin Signal Signal Direction Pin Signal IQMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMQ; G4 1 IF0 1 IF0 C6 :3 3: :3 3 IF1 3 IF1 3: :3 3: :3 5 IF2 5 IF2 3: :3 3: :3 7 IF3 7 IF3 3: :3 3: :3 9 IF4 9 IF4 3: :3 3: :3 11 IF5 11 IF5 3: :3 3: :3 13 IF6 13 IF6 3: :3 3: :3 15 IF7 15 IF7 3: :3 3: :3 8 ACK0 MMMMMMMMMMMMMMMMMMMMM> 21 ACKE 3: :3 3: :3 21 ACKE 23 0BF 3: :3 3: :3 23 0BF 19 STBE 3: :3 3: :3 24 IF IN 24 IF IN 3: GEDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDE6 HOMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMO< Pins: 2, 4, 6, 10, 12, 14, 16, 17, 18, & 20 are all signal grounds. Wired straight through. The wire used should be twisted pairs so a signal ground is separate for each data line IF. All pins should be wired. Maximum cable length should not exceed 15 feet. Read:(1-30,^13),? :14 14/30: New FZ related products in the Casio Future! Name: Walt Perko #1 @14550 Date: Thu Aug 23 19:56:35 1990 Well folks the Casio FZ ain't dead! It's alive and kicking as the FZ-20M. What's really neat is that Samples from this instrument will be implemented in newer synths comming out in the next year or two. Keep an eye open for more details! yyy Hey hey hey! yyy - = | < Walt Perko > | = - yyy Read:(1-30,^14),? :15 15/30: '90 Additions to the Casio FZ Shareware Library --- Name: Walt Perko #1 @14550 Date: Sat Sep 08 09:39:18 1990 New Titles Added to the List: Big-Bang-Sample-Blow-Out Fodder: 67a/b Orchestral Percussion Drums+Perc Antique Cymbal SpringSteel Orch.Percussion Tubular Bell Swivel Cymbal Percussion 2 68a/b 2 Meg Piano Low Piano 1 Low Piano 2 High Piano 1 High Piano 2 69a/b Brass EFX Full Dump Play as VCS. 70a/b Best Drums All Star Drums1 Drums 2 Drums 3 Drums 4 Raggae Kit Acoustic Kit 71a/b Lotsa Drums Newbank Assembly Line Chaos Rap Shit 707 mapped Mix Mix 2 Area bank 72a/b Lotsa More Drums Jimmy's Kit 73a/b Hydra Drums Hydrakits 1-8 74a/b 11 Synth Voices Full Dump Play as VCS Grainbell Ghostbreath Ana-digi-choir Bowed glass Celestial Grain flute .... etc. 75a/b Sounds of India India Band Santqurieso Sitar Velodrums 76a/b 42 Percussion Sounds Full Dump Play as VCS. 77a/b "The Doors" Actual doors 78a/b Concert Bs Drum/Tymp Concert BD Tymp 79a/b Studio Drums Serious Set Serious Set 2 Cro Set 80a/b String Quartet String Quartet 81 Exotic Perc. 1 Full Dump Play as VCS. Valsevo Valslap Edits 82 Exotic Perc. 2 Gridie Wokshell Paperbrush Brush Gopen 83 Exotic Perc. 3 Full Dump Play as VCS. Rain Stick Block China Bells Clave Tail Chimes 84 Exotic Perc. 4 Full Dump Play as VCS. Waterpods Waterphone Belltree 85 Exotic Perc. 5 Full Dump Play as VCS. Belltree Taipei Tambourine 86 Exotic Perc. 6 Full Dump Play as VCS. Cupshaker Finger Cymbal Cabasa Ige & sml Cabasa roll Finger lick 87 Exotic Perc. 7 Full Dump Play as VCS. Brass thing Little Swing 88 Cleste Celest Celest Chorus Celest Octave 89 Conventional Perc. 1 bank - 31 voices. *90 Special FX 1 Broken Glass Church Bell Phone Flying thing Gong Cowbell 1 Cowbell 2 *91 Special FX 2 Vox Populi U Don't Know Stravinsky hit Ravel hit Jopa CB Boomboom 92 Elec. Guitar Strums El.Maj-min. 93 Steel Guitar Strums Steel Strums 94 Plane/Crowd Plane-crowd *95 Udu Drums Udu Split Velo Split Loop 1 Loop 2 Loop 3 96 Dumbec Mults Velo Tam-stic 97 Ladder Bells Velo Bells Weird Bells 98 The Gong Variations Full Dump Play as VCS. 99 Cut Samples Full Dump Play as VCS. 44 Cut samples 100 Assorted Synths A Indian Summer Glass Blower Red October Venus Pad 101 Assorted Synths B Grain Pad Slow Glass Dream Essence 1980 Pad Pleiades 102 Assorted Synths C Miami TA Pad E Pad Synthesaurus Pad 90 103 Assorted Synths D Starship Mattehorn Lonescape Mellotronain VS 3 Oasis Galaxis 104 Assorted Synths E Soundtrack VS 3 W-verb Xoron Turbo Breath SuperTurbo SuperTurbo2 Beauty Dig Starship 2 105 Assorted Synths F Mashta Red Dawn Saraphim Arpeggio Focalize Games Perccomp 106 Assorted Synths G Orkestra Pad Moog Bass PPG Choir Intruder FX Cool Square Jobsen Pad 107 Assorted Synths H Orgobreath Pipe Solo Shamus Theme Space Spektator Syn String 108 Assorted Synths I Orkestron Perk Organ Rock Organ Spacey Bella Breath Marcatto String 109 Assorted Synths J String Horn Syn String Pulse Noise Velotal Synth Trans Multi 110 Assorted Synths K Choir DigiChoir Dig Bass Ghost String Hi Vox KurzExpand Lyle S 111 Assorted Synths L Memoog Str. Memoog Ens. Memoog Ens. Memoog Bass 112 Assorted Synths M CZ Layer-Split Split-Vel Sw. Big and Bold Silent Film Moody Vel Sw Hoedown Layer Off the Wall 113 Assorted Synths N Voyetra Str. Brass Pad Str + Brs Brs + Str Pad/Click 1 Pad/Click 2 Mixed Pad 114 Assorted Synths O OB Hebbin Hell Clav Double OOO Flitting Pad Combothang 1 Combo 2 Flitting Clav Hebby Clav 115 Assorted Synths P Marimba Delux Hebbinly Vox Breath Vox Air VCS. Crystal Vox Mixed Split *116 Assorted Synths Q Poly Pad Poly Str. Prophecy CS-80 117 Assorted Synths R Full Dump Play as VCS. OB-8 Sounds 7 VCS. 118 Assorted Synths S Full Dump Play as VCS. OB-8 5 VCS. 119 Assorted Synths T Full Dump Play as VCS. Prophet-600 15 VCS. 120 Assorted Synths U Full Dump Play as VCS. Prophet-600 10 VCS. 121 Assorted Synths V Full Dump Play as VCS. Prophet-600 10 VCS. 122 Assorted Synths W Full Dump Play as VCS. Prophet-600 11 VCS. 123 Assorted Synths X K5-Barrel Mute Gtr-Tom Strato Steve Theme Bluemonica Brass Strike Aah Arrangement 124 Assorted Synths Y DX-1 DX-2 DX-3 DX-4 DX-5 DX-6 DX-7 DX-8 125 Assorted Synths Z Liquid Pad Liquid Vari. 126 Synth Basses Full Dump Play as VCS. 21 VCS. 127 Electric Bass EB-1 EB-2 EB-3 EB-4 128 Hydra Hornstabs Hornstab 1 Hornstab 2 Hornstab 3 Hornstab 4 Stabs-Scoops Scoops Scoop n hit LLehot Horns 129 Big Brass Big Brass 1 Big Brass 2 130 Pro Horns Hornswell Horns Horns Short Mix horns 1 Mix horns 2 131 Hydrahits Big Crime Hit Camelot Hit Scarry Crime Futur Stabs Mo O De Ftr Still Mo Hits 132 Mo' hits Hits 133 Hydraperc Glass&Metal 1 Glass&Metal 2 Scratch Match Assorted Junk Combo Reverse LLehotMcBall LLehMorfknat 134 Rap Perc. Mix All Club 50 Perc DR-550 #1 Mix Mix Mix All 6 135 16-bit Perc. Full Dump Play as VCS. 26 Great VCS. 136 Synth Drums/Perc. Full Dump Play as VCS. CZ Perc+Drums 137 Proteon Drums Protean Drums 138 Acoustic Guitar Acou.Guitar 139 Cello Cello 140 Country Bnjo-Mandln OlTime Fiddle Country Band 141 B3 Slo Whisl Fast Whisl Slo Fast Velocity XTrabass Double 142 Additive Hammond Full Dump Play as VCS. 41 "drawbar" Great with Lesli Registrations- e simulator Vibrato on MOD Read:(1-30,^15),? :16 16/30: Who has a FZ? Casio FZ Mailing List --- Name: Walt Perko #1 @14550 Date: Sat Sep 15 21:28:35 1990 Would you like to be on the Casio FZ mailing list? Kept up-to-date with whats going on with the FZ's? Well, here's your chance! Leave me E-mail with your address and i'll see that it is added to the Casio mail list. Casio marketing is interested in knowing who has a FZ! Let's get some more support out here for it. yyy Happy MIDI'ing yyy- = | < Walt Perko > | = -yyy Read:(1-30,^16),? :17 17/30: FZ Library Listing - the Complete BBS FZ-Library --- Name: Walt Perko #1 @14550 Date: Sun Sep 23 12:51:15 1990 CASIO FZ Shareware Library Number Title Contributor OS A Disc Copy Tool CASIO OS B Loop Optimizer CASIO Load Option Fade Option Sin X Fader OS C Playbacker CASIO OS D Disk Directory Tool CASIO 1 Rick's Acoustic Piano Rick Stevenson Brite Piano Low Brite Piano Hi Dark Piano Low Dark Piano Piano (Octave) 2 Clavinets Clark Graff Clav 1 Clav 2 Res. Clav Phased Clav Double Phase Clav Octave Bass 1 Octave Bass 2 3 FZ -- FM Hamzah Brite Rhodes Brite Rhodes 2 Super Bass FM Piano FM Tubular Sine Bell Bass/FM Piano FM Piano 2 4 Brassland Graff/Hamzah Graff Brass 1 Synth Brass Hamzah Horn Graff & Hamzah 5 Buddy's Best Buddy Hill Chord in 4th Mellow Comp Hammond Split Mood Mode Harmonica Split CZ-1 Ravel U Name It 6 Synth Combos #1 CASIO Clavynuevo 1 Clavynuevo 2 Clavymix Spliff ... Bass/Clavy Mix Prophet/CZ Bass/Prophet/Bottle 7 Synth Combos #2 CASIO Short Chorus Chorus Exotic Synth Exotic Low Exotic/Chorus Octave Chorus Exotic/Chorus 1 Finger 8 Famous Synths #1 Rick Stevenson Hitharsich Guitar Air Magda +1 Gendre III D-50 Fantasy Guitar/Bell Vox Magda + Guitar 9 Famous Synths #2 Rick Stevenson Metal/Choir Steel Air Choir Supersweep 50's DX Combix DX Aero Steel Air 10 Synth voices #1 CASIO 11 Texture/split/lead CASIO Split Lead 1 Galaxia 3 Way Split Bass/Galaxia 3 Way Split 2 Galaxia Space Thick Split MIDI Set-up 12 FRASU! Marty Frasu Drums & Bass CZ-3 Sawsall CZ-Bass Futuro Rocksichord Echocycle Aura 13 Lush Layers CASIO Lush Layer 1 Lush Layer 2 New Lush 1 New Lush * Short LL 2 Short LL 2a LL1 & LL2 X-Fade Kitchen Sink 14 Synth Strings/Chourus/Bells Rick Stevenson JP-8 Strings Voyetra Strings 1 Voyetra Strings 2 Voyetra Up Octave DX-7 II String Chorus/Bells 15 Strings 15 CASIO Low Strings Medium Strings High Strings Strings Phase Strings Octave Spacial Strings String Sweep Bad Voices 16 Ethnoteric Clark Graff Voxmar Short Voxmar China Court Chinese Court Shakuhachi Gong Voice Stack Gong Vox For You 17 Gamelan Percussion Music Design Gamelan Set Darabuka Set Percussion 1 Special Set Esno Yari 1 Tuned Conga Mel Bell Lo-Bell + P2 18 Drums & Percussion CASIO Drum Set Drum Set + 19 Forty Snares CASIO Laid Out Stacked Up 20 FIFTY ONE BASS DRUMS!! CASIO Laid Out Mix Writes 21 SOUNDHOUND #1 (percussion) R. Campenella All of 'em Great Set Tuned Stuff Metal Age 22 SOUNDHOUND #2 R. Campenella Mixed Ethnic Set 1 Set 2 Set 3 China Caravan Fairway Mexican Nite 23 SOUNDHOUND #3 R. Campenella Modern Split Log Dawn Turbo Strat Tinky Pad Layers EX Spectrum Red Dawn Voxxy 24 SOUNDHOUND #4 R. Campenella Velour U asked for it Universe Xlophony Padding Cosmos Quad Velour 25 SOUNDHOUND #5 R. Campenella Wind Isles Choir Burst Shush Pad R & B Split Killer Bass Bottles Split 1 Split 2 26 BLOW HARDS CASIO Clarinet Trumpet 101 Horn F Choir Flute 1 Oboe/Bassoon 27 Beethoven Hits Hamzah Hit 1 Hit 2 Hit 3 Hit 4 Hit 5 Hit 6 Hit 7 Hit 4/Attack 28 Rap Drums Hamzah Rap Drums Layout 2 Layout 3 Layout 4 29 Nylon Guitar Hamzah Nylon Guitar Nylon 12 Nylon Chorus Nylon Stocking 30 Famous Synths #3 Chris Wade FZ-Vox Attack FZ-Vox Fantasia Bell w/Phase Cathedral Air Baroque Staccato 31 Glockenspiel (loopless) Hamzah Glockenspiel Glokchorus Glockoctave 32 New Age Guitars Bruce Samuels New Age Juice Nylons 33 Freyed Gregory Frey Pat's Tubular Bells Dance Stuff 34 L.L. Cool Guitar Francis Manzella Chunka Plunka Chords 35 Steel String Guitar Hamzah Martin D-28 Martin Chorus 82-D nitraM 36 Trumpets CASIO New Cup Mute Coronet 37 K-style Orchestra CASIO Low Orchestra High Orchestra Harpsi-Strings Woodwinds 38 M-Strings CASIO M-Long Strings M-Short Strings 39 Fairlite Boy's Choir CASIO Choir Medium Choir Slow Choir 40 Super Convinience CASIO Choir C Piano Strings Pizzicato Brass Ensemble Glass Brass Synth Organ 41 Pots and Pans David Rosenthal Set-Up 1 42 Famous Synths #4 Wade Harpsi Combie Bottle Blower Bones Slap B/Bones Slap B/Bottle Harpsi-Combie All Together 43 K-Piano CASIO K-Piano Piano-1 44 Atmosfears Marty Frasu Atmosphere Orchestra Voices Heavenly Smoothie Nice Alientorture Brassturized 45 Frasu Composer Disk Marty Frasu Drums/Bass Wak Marty Wak 2 Rimba Strings Atmosphere Horns Rocksichord MIDI Wak! 46 Bang De Clanko Marty Frasu Bang de SAME 47 Sound EFX 1 Sampleware Tennis Hits Auto Sounds Gunshot Jungle Sounds Baseball Hits Cell Door Storm 48 Sound EFX 2 Sampleware Lawn Mower Creaking Slupr Lasercopter Bubbles Static Balloon Water 49 Sound EFX 3 Sampleware Breaking Glass Firesteam 1 Fight Bell Pouring Torch Firesteam 2 Coins 50 Rhythm Section 1 Sampleware Bass/Amb. Syn.Bass/E-dr. 51 Rhythm Section 2 Sampleware Bass/Amb. Syn.Bass/E-dru 52 Percussion 1 Sampleware Chimesitree Perc.Kit 1 Perc. Kit 2 Conga/Cowbell 53 Percussion 3 Sampleware Tymplgong Bell/Block Snare, V-Slap, T-Bell Mix 1 54 Hip-Hop set Sampleware Hip-Hop Kit Syn Bass/808 Human Beat 55 Plucked and Struck Sampleware Harpsichord Vibes 56 Woodwinds one Sampleware Woodwinds Engligh Horn Synth Winds 57 String Galore Sampleware Cello/Violin Solo Violin Section Pizz Analog String Trills/Gliss Mix one Mix two 58 Beautiful Flute Bruce Samuels Beatiflute Lo Brite Flute Lo Soft Flute Hi Soft Flute Hi 59 Marimbones Hamzah Marimba Trombone Marimbone Super 60 Brite Piano Strings Hamzah Bright Low Bright Hi One Finger 61 Strat O'Fear CASIO Clean Strat Chorus Strat Brite Strat 62 Strat O'Fear 2 CASIO 5th's Heavy 5th's Muff'd Lead Twin Leads Mutes/Hamoni Twin Lead Octaves 63 RICK rick Rick "Rick" Long 12 Strum Short 12 Strum NSU Twelve Twirl 64 Mellow Piano/Strings CASIO Mellow Low Mellow Hi 65 Big Bottom (synth bass) Marty Frasu Wet Bottom Big Bottom Clack Pedals Precisynth Sl-OB8 Velo-melo Velocity Whip Wet POP 66 Bigger Bottom (Moog Bass) Jerry Kovarsky Still More MOOG Many MOOG 1 Brass Bass Vloug MOOG 67a/b Orchestral Percussion Hamzah Drums+Perc Antique Cymbal SpringSteel Orch.Percussion Tubular Bell Swivel Cymbal Percussion 2 68a/b 2 Meg Piano CASIO Tokyo Low Piano 1 Low Piano 2 High Piano 1 High Piano 2 69a/b Brass EFX Stevenson Full Dump Play as VCS. 70a/b Best Drums Various All Star Drums1 Drums 2 Drums 3 Drums 4 Raggae Kit Acoustic Kit 71a/b Lotsa Drums Marty Frasu Newbank Assembly Line Chaos Rap Shit 707 mapped Mix Mix 2 Area bank 72a/b Lotsa More Drums Rob Campanella Jimmy's Kit 73a/b Hydra Drums Hydratech Hydrakits 1-8 74a/b 11 Synth Voices Rob Campanella Full Dump Play as VCS Grainbell Ghostbreath Ana-digi-choir Bowed glass Celestial Grain flute .... etc. 75a/b Sounds of India Rick Stevenson India Band Santqurieso Sitar Velodrums 76a/b 42 Percussion Sounds Stevenson Full Dump Play as VCS. 77a/b "The Doors" Actual doors 78a/b Concert Bs Drum/Tymp Stevenson Concert BD Tymp 79a/b Studio Drums David Rosenthal Serious Set Serious Set 2 Cro Set 80a/b String Quartet Bruce Samuels String Quartet 81 Exotic Perc. 1 Horace Arnold Full Dump Play as VCS. Valsevo Valslap Edits 82 Exotic Perc. 2 Horace Arnold Gridie Wokshell Paperbrush Brush Gopen 83 Exotic Perc. 3 Rick Stevenson Full Dump Play as VCS. Rain Stick Block China Bells Clave Tail Chimes 84 Exotic Perc. 4 Rick Stevenson Full Dump Play as VCS. Waterpods Waterphone Belltree 85 Exotic Perc. 5 Rick Stevenson Full Dump Play as VCS. Belltree Taipei Tambourine 86 Exotic Perc. 6 Rick Stevenson Full Dump Play as VCS. Cupshaker Finger Cymbal Cabasa Ige & sml Cabasa roll Finger lick 87 Exotic Perc. 7 Rick Stevenson Full Dump Play as VCS. Brass thing Little Swing 88 Cleste Stevenson Celest Celest Chorus Celest Octave 89 Conventional Perc. Stevenson 1 bank - 31 voices. *90 Special FX 1 Rick Stevenson Broken Glass Church Bell Phone Flying thing Gong Cowbell 1 Cowbell 2 *91 Special FX 2 Rick Stevenson Vox Populi U Don't Know Stravinsky hit Ravel hit Jopa CB Boomboom 92 Elec. Guitar Strums Audio Investigators El.Maj-min. 93 Steel Guitar Strums Audio Investigators Steel Strums 94 Plane/Crowd Louie Cossa Plane-crowd *95 Udu Drums Rick Stevenson Udu Split Velo Split Loop 1 Loop 2 Loop 3 96 Dumbec Rick Stevenson Mults Velo Tam-stic 97 Ladder Bells Rick Stevenson Velo Bells Weird Bells 98 The Gong Variations Horace Arnold Full Dump Play as VCS. 99 Cut Samples Buddy Hill Full Dump Play as VCS. 44 Cut samples 100 Assorted Synths A R.Campanella/SoundHound Indian Summer Glass Blower Red October Venus Pad 101 Assorted Synths B Campanella Grain Pad Slow Glass Dream Essence 1980 Pad Pleiades 102 Assorted Synths C Campanella Miami TA Pad E Pad Synthesaurus Pad 90 103 Assorted Synths D Campanella Starship Mattehorn Lonescape Mellotronain VS 3 Oasis Galaxis 104 Assorted Synths E Campanella Soundtrack VS 3 W-verb Xoron Turbo Breath SuperTurbo SuperTurbo2 Beauty Dig Starship 2 105 Assorted Synths F Campanella Mashta Red Dawn Saraphim Arpeggio Focalize Games Perccomp 106 Assorted Synths G Campanella Orkestra Pad Moog Bass PPG Choir Intruder FX Cool Square Jobsen Pad 107 Assorted Synths H Campanella Orgobreath Pipe Solo Shamus Theme Space Spektator Syn String 108 Assorted Synths I Campanella Orkestron Perk Organ Rock Organ Spacey Bella Breath Marcatto String 109 Assorted Synths J Campanella String Horn Syn String Pulse Noise Velotal Synth Trans Multi 110 Assorted Synths K Campanella Choir DigiChoir Dig Bass Ghost String Hi Vox KurzExpand Lyle S 111 Assorted Synths L J. Kovarsky Memoog Str. Memoog Ens. Memoog Ens. Memoog Bass 112 Assorted Synths M Buddy Hill CZ Layer-Split Split-Vel Sw. Big and Bold Silent Film Moody Vel Sw Hoedown Layer Off the Wall 113 Assorted Synths N R. Stevenson Voyetra Str. Brass Pad Str + Brs Brs + Str Pad/Click 1 Pad/Click 2 Mixed Pad 114 Assorted Synths O Hydratech OB Hebbin Hell Clav Double OOO Flitting Pad Combothang 1 Combo 2 Flitting Clav Hebby Clav 115 Assorted Synths P Hydratech Marimba Delux Hebbinly Vox Breath Vox Air VCS. Crystal Vox Mixed Split *116 Assorted Synths Q Various Poly Pad Poly Str. Prophecy CS-80 117 Assorted Synths R Walt Perko/the MIDI-Exchange BBS Full Dump Play as VCS. OB-8 Sounds 7 VCS. 118 Assorted Synths S the MIDI-Exchange BBS Full Dump Play as VCS. OB-8 5 VCS. 119 Assorted Synths T the MIDI-Exchange BBS Full Dump Play as VCS. Prophet-600 15 VCS. 120 Assorted Synths U the MIDI-Exchange BBS Full Dump Play as VCS. Prophet-600 10 VCS. 121 Assorted Synths V the MIDI-Exchange BBS Full Dump Play as VCS. Prophet-600 10 VCS. 122 Assorted Synths W the MIDI-Exchange BBS Full Dump Play as VCS. Prophet-600 11 VCS. 123 Assorted Synths X Steve Pecile K5-Barrel Mute Gtr-Tom Strato Steve Theme Bluemonica Brass Strike Aah Arrangement 124 Assorted Synths Y Pecile DX-1 DX-2 DX-3 DX-4 DX-5 DX-6 DX-7 DX-8 125 Assorted Synths Z Hubert Eaves Liquid Pad Liquid Vari. 126 Synth Basses Hydratech/Frasu Full Dump Play as VCS. 21 VCS. 127 Electric Bass Bruce Samuels EB-1 EB-2 EB-3 EB-4 128 Hydra Hornstabs Hydratech Hornstab 1 Hornstab 2 Hornstab 3 Hornstab 4 Stabs-Scoops Scoops Scoop n hit LLehot Horns 129 Big Brass R. Stevenson Big Brass 1 Big Brass 2 130 Pro Horns R. Stevenson Hornswell Horns Horns Short Mix horns 1 Mix horns 2 131 Hydrahits Hydratech Big Crime Hit Camelot Hit Scarry Crime Futur Stabs Mo O De Ftr Still Mo Hits 132 Mo' hits R.Steenson Hits 133 Hydraperc Hydratech Glass&Metal 1 Glass&Metal 2 Scratch Match Assorted Junk Combo Reverse LLehotMcBall LLehMorfknat 134 Rap Perc. M.Frasu Mix All Club 50 Perc DR-550 #1 Mix Mix Mix All 6 135 16-bit Perc. R.Stevenson Full Dump Play as VCS. 26 Great VCS. 136 Synth Drums/Perc. Charles Descarfino Full Dump Play as VCS. CZ Perc+Drums 137 Proteon Drums Campanella Protean Drums 138 Acoustic Guitar Ross Levinson Acou.Guitar 139 Cello Stevenson Cello 140 Country Whitman Music Bnjo-Mandln OlTime Fiddle Country Band 141 B3 Steve Pecile Slo Whisl Fast Whisl Slo Fast Velocity XTrabass Double 142 Additive Hammond Buddy Hill Full Dump Play as VCS. 41 "drawbar" Great with Lesli Registrations- e simulator Vibrato on MOD FZ Shareware Library by Friends of the MIDI-Exchange BBS MIDI-Ex-1 Nasty Girl's 7 - Sexual moans and expressions. Hi, Oooh, Ohh Right there that's it, More, Oooohhh, It's so hard, OhhhHuh OohHuh MIDI-Ex-2 ARP-2600 Classic Sound very nice! Carlos 1, Carlos 2, Carlos 3, Carlos 4 MIDI-Ex-3 Crystal Koto Very Oberheim sounding try both ends of kybd. Buzzy Tack Horn, Smooth Hammer Horn, Tack Horn, Screen Door Spring, Horn MIDI-Ex-4 Fat Saxophone Extremely well done Sax. Tenor Sax 1, Smooth Tenor MIDI-Ex-5 Enchanted Chorale Fairlight layered 5ths & 7ths. Fairlight-1, -2, -3, -4 MIDI-Ex-6 Hammond B3 Organ Very nice, like a brand new organ. MIDI-Ex-7 Bagpipes Play b-flat-3 for bag 'n A3 - C6. MIDI-Ex-8 Solo Violin Very nice "Cheap" violin. Arco-1, Dbl Arco-1, Arco-2, Dbl Arco-2, Arco-1 + Arco-2, Arco-1 + Specatto, Specatto, Arco-2 + Specatto MIDI-Ex-9 Ghostly Bass Violin Very interesting. Strings-1 Lo, Strings-1 Hi, Strings-2 Lo, Strings-2 Hi, Strings Octave, Strings-1 Dbl Lo, Strings-1 Dbl Hi, Strings-1 4x Octave MIDI-Ex-10 Orchestral Strings Very nice sound! Vox/Strings 4V, Orchestral Strings, Slow Strings, Ghostly Strings MIDI-Ex-11 Synth Strings Nice synthy strings. Marcato-1 Lo, Marcato-2 Lo, Marcato-1 Hi, Marcato-2 Hi Marcato Octave, Octave-Bass/Pad, Warm Strings, Marcato/Dbl MIDI-Ex-12 Classic FM DX-7 Samples? Full 'n Rich! Bells/Strings, FM Pad, Tine/Strings, JW Bass-1, Synth Bass, Slow Bells/Strings MIDI-Ex-13 Trumpet a good Trumpet from Ganapati Olerich MIDI-Ex-14 James Brown A few of his favorite expressions Please, Woahh, Hey!, AOoooooeoow, Uh Huh, it's got to be funkey, Hit Me!, Instrumental Intro MIDI-Ex-15 Animal Kingdom Cat, Pig, Lion, Gorilla, 'n cough Cat Meow, Pig Squeal, Lion Roar, gorilla Grunt, Cough MIDI-Ex-16 D-50 Bell patch Very nice bell patch Bells/Glass MIDI-Ex-17 D-50 Horn patch Roland D-50 horn patch Trumpet/Buzz MIDI-Ex-18 Full Sax blow Very good sampled saxophone Blow'd Sax MIDI-Ex-19 Boy's Chorus Very full rich boy's chorus Organ, Boy's chorus, Girls chorus MIDI-Ex-20 Fairlight Bijou Le "Hot" Bijou very good 'n rich Orchestral Background Scene MIDI-Ex-21 Bobby Brown My Prerogative Tour '89 MIDI-Ex-22 M1 Strings Korg M1 well modified! M1 Strings Long Start, M1 Strings Short Start MIDI-Ex-23 Modern Split Several good lead sounds Modern Split, Log Dawn, Turbo Strat, Tinkly Pad Layers, ExSpectrum 1, Red Dawn, Voxxy MIDI-Ex-24 Mini Moog Bass Several Mini Moog Bass's Mini G04, Strange Mini, Mini 30SC, Big Mini, Glawlob, Fraken, Velocity Switch, Area MIDI MIDI-Ex-25 Steinway Grand Sampled @ Masonic Auditorium Disc 1 MIDI-Ex-26 Steinway Grand Sampled @ Masonic Auditorium Disc 2 2M Piano 1 Lo, 2M Piano 1 Hi, 2M Piano 2 Lo, 2M Piano 2 Hi MIDI-Ex-27 Analog Drums 1 TR-808 & Lin08 Drums - Fantastic! TR-808 1 0, Lin08 MIDI-Ex-28 Analog Drums 2 TR-808 & TR-909 Drums - Awesome! TR-808 MIDI-Ex-29 Power '89 Hip Hop - Samples Disc 1 MIDI-Ex-30 Jam 4 Fun 1 Disc 1 of 2 Hot Hip Hop Samples! MIDI-Ex-31 Jam 4 Fun 2 Disc 2 of 2 Hot Hip Hop Samples! MIDI-Ex-32 RainForest-1 Wild birds of the Rainforest disc 1 of 2 MIDI-Ex-33 RainForest-2 Wild birds of the Rainforest disc 2 of 2 MIDI-Ex-34 Tenor Sax Trio Hits 'n Falls of a Tenor Sax - Stewart Birnam MIDI-Ex-35 Pro-Sounds 1 Upster, Giggle, Prince Perki, Squishy, MIDI-Ex-36 Pro-Sounds 2 Metaly, Laser, SD 2 Casio, Puff, Factory 1 GS, Factory 2 GS, Factory 3 GS, Factory 4 GS, Factory 5 GS, Factory 6 GS, Factory 7 GS, Scratch F, Bell R8, CR-78 Snare, SCR B, Numbers Clk., CR-78 Cl.Hat, CR-78 HiHat, CR-78 Click, Musique Clk., CR-78 Kick, Addvan Kick, Addvan Snare, MNMT 808-2, Snare R8, Katana, HiTom R8, MidTom R8, Lotom R8, Whip Sla, Big Boing, Agogo Hi M, Agogo Lo M, Dynacord BD1, Vanity Snare, R8 Kick, Boink 01, Linn HiHat, LoTom R8, LoTom7Pgm, SCI Claps, Boink 04, 15 story Kick, SCI RIM, Boink 02, Boink 03 Sticks, Wow, 3, 4 Kick Mix, 4S, Thud, Door Punch, Slap, Up, Chak, Ele Kick, Ele Tom, Clink MIDI-Ex-40 OB-8 Disc 1 Oberheim OB-8 the Best of disc 1 Synth/Tronic, Birdy/Swirls, Cat from Hell, European Siren, -5th fluetty MIDI-Ex-41 OB-8 Disc 2 Oberheim OB-8 the Best of disc 2 Dee-Doul-Lee, Synth/Wow, Wooooh, Spin'n Horn, Synth/Bubbles MIDI-Ex-50 P-600 Disc 1 SCI Prophet-600 the Best of disc 1 Gleeman Buzz, Synth Pipe Organ, String/Horn, Synth/Horn Synth/Horn2, Small Pipe Organ, More Gleeman, Cat/Synth MIDI-Ex-51 P-600 Disc 2 SCI Prophet-600 the Best of disc 2 Low Metal Drum, Alien/Chorus, Electric/Organ, Orchestral Strings, Scream from Space, Squeeze/Synth Perk-U-Later, Dirty/Lead MIDI-Ex-52 P-600 Disc 3 SCI Prophet-600 the Best of disc 3 Alien-Voices, Electric Organ, Synth/Horn-2, Alien-Swamp, Alien-Bouaaaa, Hammer'd Organ, Arcade-1 MIDI-Ex-53 P-600 Disc 4 SCI Prophet-600 the Best of disc 4 Warm Fat Organ, Synth/Violins, Alien/Surface, Ice-Organ, Alien/Brass, Radio-Tunning MIDI-Ex-54 P-600 Disc 5 SCI Prophet-600 the Best of disc 5 Reedy/Organ, Synth/Organ-1, Synth/Organ-2, Froggy, Meow, Tomita/Alien, Synth/Flutes, Sharp Flat Bell, Synth/Organ-3 MIDI-Ex-55 P-600 Disc 6 SCI Prophet-600 the Best of disc 6 Low Fat Organ, Synthy-Organ, Classic/Organ, Gleeman Style, Bubbly Synth, Fat SineWave MIDI-Ex-56 P-600 Disc 7 SCI Prophet-600 the Best of disc 7 Rising Pheonix, Synth/Organ-4, Synth/Piano-1, Buzzy/Synth, French Horn Synth, Synth/Piano-2, Synth/5th's, Dirty/Pitters MIDI-Ex-57 P-600 Disc 8 SCI Prophet-600 the Best of disc 8 Tomita/Voice, Synth/Brass-2, Synth/Brass-3, Soft Steel Drum, Sour/5th's, Airplane, Piano/Storm, Chorus/Organ MIDI-Ex-58 P-600 Disc 9 SCI Prophet-600 the Best of disc 9 Arcade/Drizzle, Soft Ghostly Bell, Synth/Clav/Synth Arcade/Descent, Squiggly Buzz, Organ/5th's MIDI-Ex-59 P-600 Disc 10 SCI Prophet-600 the Best of disc 10 Synth/Cat-2, Bristle/Bell, Boik-Warm Tone, Rich Buzzy Synth, Percussive Tone, Vwooo/Synth, Ascending Note MIDI-Ex-60 P-600 Disc 11 SCI Prophet-600 the Best of disc 11 Synth/Clarinet, Synth/Wave, Male-Alien, Rich Buzzy Synth-2, Alien Vibrato, Brassy/Buzzy, Alien/Lead the BARRON Set MIDI-Ex-061 Horror Flicks 1. The Thing 2. Vertigo 3. The Exorsist 4. Poltergeist 5. Psycho 6. ... the 13th 7. Creep Show 8. Demon Bass MIDI-Ex-062 Modern Splits D-50/M-1 1. Modern Splits 2. Log Dawn 3. Turbo Strat 4. Tinkly Pad 5. Layers 6. Ex Spectrum 7. Red Dawn 8. Voxxy MIDI-Ex-063 Hi End Digitals LiveWire 1. Fat Brass 2. Hells Bells 3. Bell & Brass #1 4. Bell & Brass #2 5. Bell / Brass Split 6. Bell Organ #2 7. Bell Organ #2 8. TX Strings MIDI-Ex-064 Acoustic Combo #1 SoundWaves: Splits #1 1. 2-Snare Drums 2. 2-Bass Drums 3. Side Stick 4. HiHat Open 5. HiHat Closed 6. HiHat Shut 7. Toms 8. Crash Cymbals 9. 2 Cymbols 10. Double Bass 11. Vibraphone 12. Flute MIDI-Ex-065 Ethnic String Instr. 1. Sitar 2. Bzka/Trm X-Fade 3. Bazooka 4. Sitar & Bazuki 5. Sitar & Bzzuki 2 6. Bazuka Octaves 7. Sitar Octaves 8. Bzki / Sitar X-Fade MIDI-Ex-066 R 'n B Drums SoundWaves: Drums #3 1. 7 Snare Drums O=2 2. 8 Bass Drums O=1 3. 3 Side Sticks O=2 4. HiHat Open O=3 5. HiHat Closed O=3 6. HiHat Shut O=3 7. 4 Tom Sets O=4-5 8. Tambourine O=6 9. 2 Cowbells O=6 10. Crash Cymbal O=7 11. Ride Cymbal O=8 12. Cym-Bell O=7 MIDI-Ex-067 Many Violins LiveWire 1. Solo Violin 1 2. 2 Violins 3. Looped Violin 4. Stack Violin 5. 5ths - Violin 6. Solo Violin - Synth 7. Octave Violins 8. Low Violin MIDI-Ex-068 FZ-Percussion FZ SoundDisc 6 (FL-6-5) 1. Percussion 1 2. Percussion 2 3. Percussion 3 4. Percussion 4 MIDI-Ex-069 FZ-Chorus FZ SoundDisc 3 (FL-3-5) 1. Chorus 1 2. Chorus 2 3. Chorus 3 4. Chorus 4 MIDI-Ex-070 Orchestral Hits 1. Brio 2. Grandioso 3. Forte Piano 4. Furioso 5. Molto 6. Fortissimo 7. Sustenuto 8. Marcato MIDI-Ex-071 Techno Splits SoundWaves: Splits #5 1. 2 Snare Drums 2. 3 Bass Drums 3. HiHat Open/Closed 4. Metal Hat 5. Tom Fill 6. Metal Bell 7. Metal Tamb. 8. Cowbell 9. Nasty Bass Guitar 10. PPG'ish Bass 1'n'2 11. Hyper 12. Lunar 13. Elecdroid 14. Thump 15. Spoonette 16. Tutsi 17. Dawn 18. Glastic MIDI-Ex-072 Banjo/Mandolin 1. Banjo 2. Mandolin 3. Mano / Trem / X-Fade 4. Mand / Trm Banjo 5. Banjo + Mandolin 6. Banjo Octaves 7. Mandolin Octaves 8. Banjo + Mand. Octaves MIDI-Ex-073 Ethnic Percussions 1. African Percussion 2. Congas 3. Talking Drums 4. Shakers 5. Marahas 6. X-Fade Percussion 7. More Conga 8. Conga Groans MIDI-Ex-074 Orchestral Percussion 1. Orch. Percussion 2. Tubular Bells 3. Tympani X-Fade 4. Flexi Rachet 5. Woodblocks 6. Tambonets 7. Wooden Bells 8. Tubular Octaves MIDI-Ex-075 Gothic Voices 1. Gothic Hi 2. Gothic Lo 3. Gothic Hi 4. Gothic Lo 5. Gothic Dbl Hi 6. Gothic Dbl Lo 7. Gothic Dbl Hi 8. Gothic Dbl Lo MIDI-Ex-076 Hi Tech Bass 1. The Monster 2. Fat PPG 3. Outer Limits 4. Twister 5. Mello Taxi 6. Big PPG 7. Sweep Walker 8. More PPG Ex-077 Acoustic Guitar/Harp/Koto 1. Harp Lo 2. Harp Mid 3. Harp Hi 4. 2 String Unison 5. Nylon Guitar 6. Koto 7. Harp / Guitar 8. Harp / Guitar / Koto MIDI-Ex-078 Violin/Cello 1. Arco 1 2. Dbl Arco 1 3. Arco 2 4. Dbl Arco 2 5. Arco 1 + Arco 2 6. Arco 1 + Spcto 7. Sepcato 8. Arco 2 + Spcto MIDI-Ex-079 Orchestral Hits:the END 1. The End 2. Sweep It 3. Cross Fade Hits 1 4. Cross Fade Hits 2 5. Crescendo MIDI-Ex-080 OOhs and AAhs 1. Aah + Aah 1 2. Aaah 1 3. Aah + Aah 2 4. Aaah 1 + 3 5. Aaah 3 6. Ooh + Ooh 7. Ooh 4 + Aah 2 8. Ooh 4 + Aah 3 MIDI-Ex-081 Mini MOOG 1. Mini Go 4 2. Strange Mini 3. Mini Oscillator 4. Big Mini 5. Glahlbb 6. Franken 7. Vel Switch 8. Area MIDI MIDI-Ex-082 Symphonic Hits 1. Expressivo voices 2. Con Brio 1 Unis Sustain 3. Maestoso 2 Orch Sustain 4. Con Fuoco 3 Symphonic Hit 5. Pesante 4 Major Sustain 6. Con Forza 7. Finale 8. Misterioso MIDI-Ex-083 Island Percussion 1. Island Percussion 2. Timbales 3. Misc. Percussion 4. Metal Percussion 5. Bells / Wissel 6. Tonga 7. Steel Drums 1 8. Steel Drums 2 MIDI-Ex-084 Techno Bass 1. Nasty Stuff 2. Bad 'n Ugly 3. Techno Stuff 4. Hip Stuff 5. Synthetik 6. Automatik 7. Metalik 8. Techno Stew MIDI-Ex-085 Orchestra 1. Orchestra 2. Orchestra 3. Orchestra 4. Orchestra 5. Orch, Cymbol, Tympani MIDI-Ex-086 Symphonic Strings 1. Marcato Lo 2. Marcato 2 Lo 3. Marcato 1 Hi 4. Marcato 2 Hi 5. Marcato Octaves 6. Oct / Bass / Pad 7. Warm Strings 8. Marcato 1 Dbl MIDI-Ex-087 Guitar Effect Chords 1. Chunka 2. Plunka 3. Chords MIDI-Ex-088 Orchestral Hits #1 SoundWaves: Orchestral Hits #1 1. Brio 2. Grandioso 3. Forte Piano 4. Furioso 5. Molto 6. Fortissimo 7. Sostenuto 8. Marcato MIDI-Ex-089 Electric Guitar #1 1. Guitar 5ths #1 2. L'Wire Strat 3. Solo Electric Guitar 4. Fade in 5ths 5. Stack Strat 6. Strat - Vocal + 7. Bass Strat 8. Strat / Organ MIDI-Ex-090 FZ-Semi Acoustic Guitar FZ Sound Disc 6 (FL-6-1) 1. Semi Acoustic Guitar 1 2. Semi Acoustic Guitar 2 3. Semi Acoustic Guitar 3 MIDI-Ex-091 Basses #1 1. L'Wire Bass 31 2. SynBass #1 3. Pick Bass 4. Sequencer Bass 5. Harp - Bass 6. Bass Strat 7. Piano Bass 8. Kramer Bass MIDI-Ex-092 Ghostly Voices 1. Voices 1 Hi 2. Voices 1 Lo 3. Voices 2 Hi 4. Voices 2 Lo 5. Voices 1 Octaves 6. Voices 2 Octaves 7. Voices 1 X 2 Hi 8. Voices 1 X 2 Lo MIDI-Ex-093 Brass Hits 1. Hit Me 2. Bams with Sustain 3. Flams 4. Combo Hits 5. Band Hits 6. Power Blasts 7. Glass Blasts 8. Horn Shots MIDI-Ex-094 Synth Stacks 1. Synth Stack 3 2. L'Wire Synth Stack 4 3. Guitar / Brass Stack 4. Mondo Mono 5. Synth Strings 6. Pluck You 7. Reverse Stack 8. Pluck Fluff MIDI-Ex-095 Analog Dinos #1 1. Lucky Man 2. Moog Brass 3. Octave Brass 4. Bend-Up Brass 5. L'Wire - Arp String 6. White Rain 7. Synth Percussion 8. Moog Flute MIDI-Ex-096 Analog Dinos #2 1. JP-6 Fat Synth 2. Shazam 3. JP-6 Strings 4. Mazahs 5. JP-6 Vibes #1 6. JP-6 Vibes #2 7. Fade in Vibe 8. Sequencer Bass MIDI-Ex-097 Native Dance 1. Bell 5th 2. Native Dance 3. Bottle Flute 4. Dream Combo 2 MIDI-Ex-098 Teckno Percussion 1. Crazy Stuff 2. Nasty Stuff 3. Metal Basu 4. Scratchs 5. Dunks, etc... 6. Grand Slam 7. Electric Shock MIDI-Ex-099 Intruder - et al 1. L'Wire Nightmare 2. Mc Mallet 3. Intruder 4. D-50 Calliope 5. Fantasia 6. Fantasia Bell 7. Mallet - Organ 8. L'Wire Glass Vocal MIDI-Ex-100 Dream Combo #1 1. X 2. Clock Factor X 3. Jaran CMI 1 4. Dream Combo #1 MIDI-Ex-101 "Marty Wak" 1. Drum Bass 2. Marty Wak 3. Rimba 4. String 5. D-50 Atmosphere 6. D-50 Horns 7. Rocksichord 8. Marty MIDI Wak MIDI-Ex-102 Universe Cosmos et al D-50 & M-1 1. Velour 2. U Ask'd for It 3. M-1 Universe 4. Xylophony 5. Padding 6. Cosmos 7. Cursivelour MIDI-Ex-103 Ethnic Templates 1. Mixed Ethnic 2. Set 1 3. Set 2 4. Set 3 5. D-50 China 6. D-50 Fairway 7. M-1 Mexican Nite MIDI-Ex-104 Steel String Guitar 1. Acc Guitar Hi 2. Acc Guitar Lo 3. Acc Guitar Octave 4. Dbl Guitar Hi 5. Dbl Guitar Lo 6. Muted X-Fade 7. 6-String Unision 8. Oriental MIDI-Ex-105 12-String Acoustic 1. 12-String Hi 2. 12-String Lo 3. 12-String Octave 4. Dbl 12-String Hi 5. Dbl 12-String Lo 6. Muted X-Fade 7. 12-String Unision 8. Oriental MIDI-Ex-106 Basses #2 1. L'Wire Slap Brass 2. L'Wire My DX Brass 3. Moog Saw Brass 4. Moog Sqr Brass 5. Octave Moog 6. L'Wire Sequencer Bass 7. Piano / Synth / Bass 8. Stack Bass MIDI-Ex-107 Latin Percussion 1. Latin Percussion 2. CaBash / Tambourine 3. Bongos 4. Latin Miscellaneous 5. Maracas 6. Bells 7. Woodblocks 8. MIDI it UP MIDI-Ex-108 PoP Drums 1. Pop Drums 1 - 8 MIDI-Ex-109 FZ-Drums #5 Soundwaves: Drums #5 1. 7 Bass Drums O=1 2. Snare Drums O=2 3. 3 Side Sticks O=3 4. HiHat Open/Closed O=3 5. 4 Tom Sets O=4-5 6. Tom Fill O=4-5 7. Metal Hat O=6 8. Metal Tamb. O=6 9. Cowbell O=6 10. Bell O=6 11. Cym Noise 1-2-3 O=7 12. Noise Hit O=8 13. HH Noise O=8 MIDI-Ex-110 Bobby Brown Drums 1. Prerogative 2. Girl Next Door 3. Don't be Cruel 4. Intro Jam MIDI-Ex-111 Plucked Strings 1. A Violin 2. A few Violins 3. A lot of Violins 4. Bass / Cello 5. Bass / Cello / Viola 6. String Ens. 1 7. String Ens. 2 8. String Ens. 3 MIDI-Ex-112 Drums and Percussion 1. All of them 2. Great Set 3. Tuned Stuff 4. Metal Age MIDI-Ex-113 "Woodwinds" Traditional 1. Clarinet 2. Trumpet 101 3. Horn F Choir 4. Flute 1 5. OB- / Bassoon MIDI-Ex-114 Kurzweil Brass 1. Trio Section 2. Kurzweil Brass 1 MIDI-Ex-115 LiveWire Disc #21 LiveWire Disc #21 1. Wah Wah 2. 3. Fat Trumpet 4. Stack Trumpet #2 5. Trumpet Sweep 6. Juno Piano 7. Fat Trumpet Octave 8. Real Lo Wah MIDI-Ex-116 M1 Strings Korg M-1 voices 1 - 6 1. M-1 Strings Long 2. M-1 Strings Short MIDI-Ex-117 Piano 1. Piano Lo 2. Piano Mid 3. Piano Hi 4. Detuned & Lo 5. Detuned & Mid 6. Detuned & Hi 7. Fat Piano / Bass 8. Piano Octaves MIDI-Ex-118 FZ-Tenor/Alto Sax FZ Sound Disc 6 (FL-6- 3) 1. Tenor Sax 1 2. Tenor Sax 2 3. Alto Sax 1 4. Alto Sax 2 5. Split A 6. Split B MIDI-Ex-119 P.E. Prod 808 Drums 1. TR-808 #1 2. LIN08 3. Trio 1 y 2 MIDI-Ex-120 R&B Drums MIDI-Ex-121 Roland TR-808 Drums MIDI-Ex-122 Rock and Roll Drums MIDI-Ex-123 Electric Drum MIDI-Ex-124 Power Drums MIDI-Ex-125 Strings 1. String Ens. 1 2. String Ens. 2 3. String Ens. 3 4. String Ens. 4 MIDI-Ex-126 African Chant MIDI-Ex-127 Tremolo Strings 1. Tremolo Strings 2. Tremolo Double 3. Tremolo Octaves MIDI-Ex-128 Solo Trumpet 1. Solo Trumpet the Casio FL-Library FL-1 130 FL-1-1 131 FL-1-2 132 FL-1-3 B MIDI-Ex-133 FL-1-4 Marimba Marimba's 1 thru 5 B MIDI-Ex-134 FL-1-5 Cello / Violin Cello 1 & 2, Violin 1 & 2, Split A & B FL-2 B MIDI-Ex-135 FL-2-1 Orchestra's Orchestra 1 thru 4 B MIDI-Ex-136 FL-2-2 Flute's Flute 1 thru 4 B MIDI-Ex-137 FL-2-3 Trumpet / Trombone Trumpet 1 & 2, Trombone 1 & 2, Split A & B B MIDI-Ex-138 FL-2-4 Oboe's Oboe 1 thru 4 B MIDI-Ex-139 FL-2-5 Clarinet's Clarinet 1 thru 4 FL-3 140 FL-3-1 B MIDI-Ex-141 FL-3-2 Backing Guitar's Backing Guitar 1 thru 3 B MIDI-Ex-142 FL-3-3 Brass Ensemble II Brass Ensemble 1 thru 6 B MIDI-Ex-143 FL-3-4 String Ensemble String Ensemble 1 thru 4 B MIDI-Ex-144 FL-3-5 Chorus's Chorus 1 thru 4 FL-4 B MIDI-Ex-145 FL-4-1 Electric Organ's Electric Organ 1 thru 4 B MIDI-Ex-146 FL-4-2 Electric Guitar's Electric Guitar 1 thru 3, Muted Guitar 147 FL-4-3 B MIDI-Ex-148 FL-4-4 Clavi's Clavi 1 thru 3 149 FL-4-5 FL-5 150 FL-5-1 B MIDI-Ex-151 FL-5-2 Jazz Guitar's Jazz Guitar 1 thru 3 152 FL-5-3 B MIDI-Ex-153 FL-5-4 Vibraphone's Vibraphone 1 thru 5 154 FL-5-5 FL-6 155 FL-6-1 156 FL-6-2 157 FL-6-3 158 FL-6-4 159 FL-6-5 FL-7 MIDI-Ex-160 FL-7-1 Nature Sounds Wind 1 & 2 MIDI-Ex-161 FL-7-2 Nature Sounds II Rain/Thunder, Brook 162 FL-7-3 MIDI-Ex-163 FL-7-4 Birds/Insects Birds, Insects MIDI-Ex-164 FL-7-5 Animals Animals FL-8 165 FL-8-1 166 FL-8-2 167 FL-8-3 168 FL-8-4 169 FL-8-5 FL-9 170 FL-9-1 171 FL-9-2 172 FL-9-3 FL-10 173 FL-10-1 174 FL-10-2 MIDI-Ex-175 FL-10-3 Studio Strings III Pizzicato, Bass/Cello Pizzicato, Viola/Violin Pizzicato, Octave Unison Pizz., Soft Pizz., Soft Pizz. Low, Soft Pizz. High FL-11 176 FL-11-1 177 FL-11-2 178 FL-11-3 179 FL-11-4 180 FL-11-5 FL-12 181 FL-12-1 182 FL-12-2 183 FL-12-3 FL-13 184 FL-13-1 185 FL-13-2 186 FL-13-3 187 FL-13-4 FL-14 188 FL-14-1 189 FL-14-2 190 FL-14-3 Read:(1-30,^17),? :18 18/30: Looking for Casio FL Discs --- Name: Walt Perko #1 @14550 Date: Sun Sep 23 12:54:28 1990 See the listing preceding this note? Notice there are several vacancies in the end of the list? Can you fill any of these vacancies? If so Please E-mail me here or call 885-6218 7 - 9 pm. yyy Happy MIDI'ing yyy- = | < Walt Perko > | = -yyy Read:(1-30,^18),? :19 19/30: FZ - Shareware - Big-Bang-Blow-Out -Swap Meet yyy Name: Walt Perko #1 @14550 Date: Sat Oct 27 09:16:43 1990 Hi gang, no I haven't forgotten, I've got about 300 discs of Samples for the FZ's now and i've been trying to find a place where a bunch of us FZ Owners can get together, bring a FZ and bunches of blank discs to have a Big-Bang-Blow-Out -Swap Meet and trade samples, you'll be able to go through samples and get those you want, or just copy the entire Library! A place to go is looking real good for the near future so watch here for further details, and go buy a bunch of blank discs so you don't run short the day of the trade! yyy Hey hey hey! yyy - = | < Walt Perko > | = - yyy Read:(1-30,^19),? :20 20/30: Big-Bang-Sample-Blow-Out Dec. 1, 1990 1 pm --- Name: Walt Perko #1 @14550 Date: Tue Oct 30 07:04:42 1990 Stadtenwolf #133 @14550 Mon Oct 29 22:04:36 1990 RE: FZ-Swap Date --- OK. It's a go. That's Sat. Dec. 1 at 1 pm The place, by the way, is called the Death Valley Ice Co. I gotta tell you how to get there: (from San Francisco) Take the Bay Bridge (hwy 80) to the Cypress exit (it will probably say something like Local Traffic Only since the freeway is gone); go south on Cypress St. and turn left onto 26th St.; keep going till you reach Union St. there's train tracks that run diagonally into the block on the right; follow the tracks down the alley ("Death Alley" is spray painted on the wall at the threshold) to the last door and there you are. My pitiful ASCII Map: / <-alley ___________________/____________ Union St. | | | <-26th St. ___________________| / Cypress St. | | <-hwy 80 | The address is 2423 Magnolia, but their entrance is from the back because of the subdivision (thus the whole alley thing) Well, I guess that's it. If you have any questions... ---wolf. Read:(1-30,^20),? :21 21/30: Big-Bang Hosts --- Name: Walt Perko #1 @14550 Date: Wed Oct 31 06:45:01 1990 Stadtenwolf #133 @14550 Tue Oct 30 21:35:25 1990 RE: Feedback. I thought I should mention that the guys who live at Death Valley Ice Co. are in a band called the Love Drops. They're playing Sunday night (Nov.4) at 6th St. Rendezvous at 11 o'clock. It would be a good show of support to see them, since they're letting us use their place for free. The club is at 60 6th St. in SF (the cross street is Mission). I know sunday night is a bad time to stay out late (having to work on monday morning myself), but at least I'm going to try to make it; they _are_ pretty good anyway. ---wolf. Read:(1-30,^21),? :22 22/30: Sampling - Looping --- Q's --- Name: Walt Perko #1 @14550 Date: Mon Nov 12 06:30:21 1990 Steve Doss #222 @14550 Sun Nov 11 16:33:40 1990 RE: Tried Chatting. I just bought the Casio FZ-10M about 2 weeks ago, and I was wondering if you could help me with a few things on it. I'm trying to sample different things off of my U-20, and I'm having a few problems. One question I would like to ask you is how are you supposed to sample a STRING sample for example. Do you just take a sample of say one note "Middle C" for example. Or do you sample certain points on the keyboard and have the sampler transpose from there? This is one problem that I am having. The other is this. What does DCA envelope and DCF envelope do, and how are you supposed to use them? One more question. How are you supposed to have a string sample, for example, loop when you hold the key down, and when you let go, it will immediately start dying out. I've been trying to do this for a while, and I can't seem to get it right. What mine does is when I press the key down and it starts looping I let go. Then it still loops for a few seconds, and then starts to fade away. When I sampled it off the U-20 the sound faded off itself and I sampled that part of it too. So I would really appreciate it if you could help me with this problem. Thanks a lot!!! Read:(1-30,^22),? :23 23/30: FZ-10M A's --- Name: Walt Perko #1 @14550 Date: Wed Nov 14 06:43:57 1990 Jim Conger #158 @14550 Tue Nov 13 18:12:14 1990 RE: Sampling - Looping --- Q's --- You asked a bunch of questions, so here's a go. I think you would find the book "CASIO FZ-1 and FZ-10M by Joe Scacciaferro and Steve Defuria (Hal leonard, 1988) extremely helpful. You will want to take several samples for different note ranges. On a typical string, you will need a sample every 5-7 simitones. This is because the waveform changes as the note changes. To get a sustain, you will have to loop a portion of the sound. Pick a stable part of the sample, near the middle, to do the loop. Blow the sample way up on the screen and then pick your loop points where the wave crosses the middle line and repeats itself. This is a short loop. You can pick a number of repetitions as your loop. This works better in some cases. You can use the envelope controls, etc. to modify the sampled sound while it is being played. For example, if you want to soften the attack part, cut back on the amplitude by adjusting the envelope. The LFO can add vibrato to a flat sample - much better than being stuck with the vibratto in the original sample. The DCF is for filtering high frequencies during playback, which can be varried over the course of the note's sounding. The reason your loop kept playing is that you have chosen a fixed number of repetitions for the loop. Only one loop can be the sustain portion, which will shut down when you release the key. This is the only loop I have ever used, but you can have 7 others, with fixed numbers of loop intervals. Good for Heeyy yy yyy oo ooo oooo kinds of effects. Anyway, get the book. It is a great tutorial, assuming you have no idea what a sampler is, and then working up to fairly advanced stuff. Read:(1-30,^23),? :24 24/30: FZ-1 Noise Name: Calvin #668 @14550 Date: Sat Nov 24 22:02:47 1990 Is anyone else out there getting a buzzing noise with samples containing low frequency? I'm getting it even before I loop or truncate the sample. If my DCA is set to SUStain, the noise will occur as the key is released. If I hold the key down for 15 seconds on a sample only 1 second long, the noise will occur in 15 seconds. Is this a problem with all FZ-1's, or am I just lucky. I have to admit that I've heard this on one other machince before. The guys at Lamb's Electronics say that they think this is a design flaw with the FZ and that all FZ's have this problem. I would appreciate any input or suggestions. Thanks. Read:(1-30,^24),? :25 25/30: Buzzing in a FZ --- Name: Walt Perko #1 @14550 Date: Wed Nov 28 18:34:39 1990 RE: FZ-1 Noise There are four sources of Buzzing from an FZ: 1. The sample is looped to cause a buzz. 2. The sample contains a buzz. 3. The sound system creates a buzz. 4. The FZ needs to be fixed. yyy Happy MIDI'ing yyy- = | < Walt Perko > | = -yyy Read:(1-30,^25),? :26 26/30: Stereo FZ's --- Name: Walt Perko #1 @14550 Date: Wed Nov 28 18:40:17 1990 Yes a FZ is Stereo! by assigning the ODD outputs as the Right Channel for Stereo and by assigning the EVEN outputs as the Left Channel for Stereo, you'll have great stereo. This works perfect! There are many discs forsale from a company in Japan which are very professional and expensive. $10/pr. disc. These are Stereo! the company name/addr: i.s.m. P.O. Box 179 Sapporo Chuo 060 Japan FAX = 81-11-823-8627 Write for a listing, tell him your a member of Walt Perko's "the MIDI-Exchange BBS" here in San Francisco. Anyone want to go in on a group purchase? yyy Happy MIDI'ing yyy- = | < Walt Perko > | = -yyy Read:(1-30,^26),? :27 27/30: Source for FZ-Sampler's -- Los Angeles Music Stores --- Name: Walt Perko #1 @14550 Date: Fri Nov 30 06:14:37 1990 I heard a rumor that there are several FZ's available in the music stores in Los Angeles. Anyone looking for one, start making some phone calls to information 818 213 714 ..... yyy Happy MIDI'ing yyy- = | < Walt Perko > | = -yyy Read:(1-30,^27),? :28 28/30: Big-Bang-Sample-Swap-Blow-Out-Party of Parties! Name: Walt Perko #1 @14550 Date: Sat Dec 01 20:35:37 1990 Yes we had it, and it went fine. FZ-Users, we counted them, there were nine. Copying Samples and talkin' jive. Runnin' out of discs, there'l be a next time! A very special thanks to "Love Drops" for letting us use their studio. It was a "Way-Far-Out Place in Death Alley, by the Death Alley Ice Works". It was a very interesting place to visit. I can only hope I get invited to a party or two there sometime. A very hip crowd indeed! The place was a music artists heaven. We all should live so good. yyy Happy MIDI'ing yyy- = | < Walt Perko > | = -yyy Read:(1-30,^28),? :29 Time expired. _;;9bL NO CARRIER 8 6n IMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM; : : : W E L C O M E to the MIDI- Enter number or name or 'NEW' NN: 345 PW: XXXX IMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM; : : : W E L C O M E to the MIDI-Exchange BBS : : Last few callers: 226: Jim Conger #158 2400 - 1 227: Rob #851 2400 - 1 228: Black Bird #809 2400 - 1 229: Jupiter #345 2400 - 1 Auto message by: Walt Perko #1 LogON using your OLD User ### if you are having trouble getting in on your original "Handle/Name" User #'s WORK! Name: Jupiter #345 Time allowed on: 40 Mail waiting : 11 Times on today : 2 Sysop is : NOT Available System is : WWIV v4.12 (Unregistered) WWIVnet node : 14550 Read your mail now? No T - 00:39:56 [1] [General Messages] :* Subs available: 1 - General Messages 2 - IBM Messages 3 - Mac Messages 4 - Atari Messages 5 - Amiga Messages 6 - Apple II Messages 7 - C64 Messages 8 - Product Reports 9 - For Sale or Trade 10 - CASIO FZ Information Center 11 - the MIDI-Music Productions 12 - the MIDI-Information Library 13 - the MIDI-Encyclopedia 14 - the MIDI-PhoneBook 15 - the MIDI-Net T - 00:39:50 [1] [General Messages] :10 T - 00:39:45 [10] [CASIO FZ Information Center] : T - 00:39:45 [10] [CASIO FZ Information Center] :S 30 msgs on CASIO FZ Information Center Start listing at? 28 (28) Big-Bang-Sample-Swap-Blow-Out-Party of Parties! (29) FZ-1 Rom v.B * (30) ROM rev.B? Is it better? Read:(1-30,^30),? :28 28/30: Big-Bang-Sample-Swap-Blow-Out-Party of Parties! Name: Walt Perko #1 @14550 Date: Sat Dec 01 20:35:37 1990 Yes we had it, and it went fine. FZ-Users, we counted them, there were nine. Copying Samples and talkin' jive. Runnin' out of discs, there'l be a next time! A very special thanks to "Love Drops" for letting us use their studio. It was a "Way-Far-Out Place in Death Alley, by the Death Alley Ice Works". It was a very interesting place to visit. I can only hope I get invited to a party or two there sometime. A very hip crowd indeed! The place was a music artists heaven. We all should live so good. yyy Happy MIDI'ing yyy- = | < Walt Perko > | = -yyy Read:(1-30,^28),? :29 29/30: FZ-1 Rom v.B Name: Calvin #668 @14550 Date: Thu Dec 13 00:39:53 1990 Does anyone know what version B roms on an FZ-1 fixes. Do I need it? Is it better than A? Read:(1-30,^29),? :30 30/30: ROM rev.B? Is it better? Name: David Goff #643 @14550 Date: Sun Dec 23 07:34:32 1990 David Goff #643 @14550 Sat Dec 22 20:53:00 1990 RE: Tried Chatting. Walt, I was wondering if you have heard anything about Rom B for the Fz-1. Do you have any info on this? THanks alot, DAVE