CD-ROM By E.J. (Jerry) McFaul First of all, what exactly is CD-ROM? Well, the acronym stands for Compact Disc - Read Only Memory. The compact disc portion of the name is probably familiar to you (certainly to your kids) as the highly successful medium that is now bringing music of incredible fidelity into our homes. Indeed, the compact disc is the most successful consumer product, as measured by total sales over time, ever introduced in the United States. The characteristic which accounts for its highly accurate reproduction of sound is the fact that the music is stored in digital form. Every second of music is equivalent to approximately 170,000 bytes of information, or about half of a standard 5 1/4 inch floppy disk. Therefore, in order to accommodate 60 or 70 minutes worth of music, the designers of compact disc technology (originally N.V. Philips, later Sony) had to provide for the storage of between 550 and 650 million bytes of information on a plastic disc only 4.78 inches in diameter. They accomplished this amazing feat by packing the bytes very close together along a continuous three-mile-long spiral track that is only one micron or 1/25,000 of an inch wide. These bytes are read by a highly-focused laser beam at a rate of 170,000 per second and transformed from a digital stream of ones and zeros into an audio waveform by a set of electronic chips inside the CD player. At the same time, a sophisticated optical-electronic servo mechanism constantly keeps the laser beam focused directly on the center of the spiral track, while elaborate error detection and correction circuitry ensures that less than one bit in a million is ever lost. And the most amazing thing of all is that this entire mechanism is able to flawlessly function inside of a device that can be bought in discount stores for as low as $79.95! The reason for delving a bit into the world of audio compact discs (aside from the pure fascination with technology itself) is to provide a basis for understanding the closely related technology of CD-ROM. It wasn't long after the advent of the audio compact disc that some astute observer recognized that those same 550 to 650 million bytes that were being used to store Beethoven's Ninth Symphony could just as easily contain a complete bookshelf worth of printed material. Not only that, but the fact that all of the information was truly digital (just as the bytes of information on a floppy or hard disk) meant that computer techniques such as rapid search and retrieval could be used to provide rapid access to any part of that bookshelf of information. But perhaps the most significant benefit of CD-ROM's close association with the CD audio lies in the standardization of the technology. CD audio and CD-ROM discs share the same physical characteristics and are both produced at the same mastering and replication facility according to an international set of standards known as the "Red and Yellow Books." In addition, CD-ROM is blessed with yet another level of standardization approved by the International Standards Organization (ISO 9660) which defines the "logical" structure of the disc to ensure compatibility and accessibility across a wide variety of computing platforms. Standards are absolutely imperative in the world of computers where technology is rapidly evolving. Therefore, when a technology comes along that has both physical and logical standardization, that technology takes on a special significance. In the case of CD-ROM, that significance equates to long-term use and applicability. Unlike other types of optical storage media such as WORM (Write Once, Read Many) and Magneto-Optical Erasable, CD-ROM is not dependent upon the proprietary hardware or software from any particular manufacturer. Therefore, CD-ROM discs are truly interchangeable and can be accessed using a reader from any of a dozen different manufacturers. These characteristics set CD-ROM apart from any other type of optical media and make it the only true means of electronic publishing for the foreseeable future.